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Curtis Salgado—Fine By Me—Little Village

                                              This new album from Curtis was recorded in eight different
                                              studios – four in his hometown of Portland, Oregon and four
                                              in California, including multiple overdubs in Kid Andersen’s
                                              Greaseland.  Consequently it includes a bewildering regiment
                                              of musicians including Robert Cray, Anson Funderburgh, Jim
                                              Pugh, Kid Andersen, Jerry Jemmott, Tony Braunagel, Jimi Bott,
                                              Lisa  Anderson,  Terry  Wilson  and  Teresa  James.    The
                                              humorous song ‘My Girl’s a Nut’ starts us off with long-time
                                              collaborator Alan Hager on guitar and there’s more humour
                                              on  the  title  track,  a  co-write  with  long-time  Bonnie  Raitt
                                              guitarist  George  Marinelli,  with  Curtis  imagining  meeting
      Jackie  Onassis,  Muhammad  Ali,  Iggy  Pop  and  Malcolm  X?!?    Curtis  first  came  to  fame  as
      vocalist/harp player with the Robert Cray Band and his old boss joins him on O.V. Wright’s ‘I’m
      Gonna Forget About You’ which appeared on their first album in together in 1980.

      Anson Funderburgh joins Curtis for the final two blues songs ‘You Give the Blues a Bad Name’
      and ‘Under New Management’, both with a three- piece brass section and the latter including a
      really expressive harp solo from Curtis.  It’s not all blues though - ‘Better Things to Lie About’
      is swinging soul with Kid Andersen on guitar, ‘Niki Hoeky’ is strange Roger Miller-style country,
      ‘Hear the Lonely Hearts’ is gospel with The Sons of the Soul Revivers adding their backing vocals
      and ‘The Only Way Out’ has a Spanish feel.  This is a very good album with lots of variety, Curtis
      has a wonderful emotive voice and he is also a fine harmonica player and he wrote or co-wrote
      nine of the twelve songs here – many of them with quirky humorous lyrics.

      Graham Harrison

                                              Eden  Brent—Getaway  Blues—Yellow  Dog    ASIN:
                                              B0D3FJDGRD

                                              I’ve  been  a  fan  of  Mississippi-based  Eden  ‘Little  Boogaloo’
                                              Brent for a number of years now and was therefore surprised

                                              when I learned that she’d recorded this album (her first new
                                              material  in  ten  years)  at  London’s  Fish  Factory  Studio.
                                              However,  apparently  she’s  married  to  British-born  jazz
                                              trombonist Bob Dowell and the couple recorded the album in
                                              just two days while back on holiday in the UK, with the album
                                              then being mixed in Memphis by Matt Ross-Spang.  Bob used
                                              his  connections  in  the  UK  to  get  studio  musicians  Rob
                                              Updegraff  (guitar)  and  Pat  Levett  (drums)  to  play  on  the
      album with Eden doing the vocals and keyboards and Bob playing bass.  We get underway with
      the title track a rolling boogie with some nice tasteful guitar from Updegraff and ‘Watch the
      World Go By’ is a poignant, cool Mose Alison-style slow blues, while with ‘What You Want’ we
      move to New Orleans.
       ‘You On My Mind’ is a melodic Norah Jones-style country song with electric piano and more

      great  guitar  from  Updegraf,  ‘He  Talks  About  You’  is  jazzy  and  reminded  me  of  BB  King’s
      ‘Hummingbird’ and ‘Just Because I Love You’ is dazzling in the way that it swings – both Eden’s
      singing and her very busy piano.  We’re back to a slow blues with ‘Mississippi Got Me Crying’
      but this is a romantic, melodic nod to Eden’s home state and with ‘Rust’ we have more slow
      blues with Eden howling the lyrics which describe how “her man sticks to her like rust…” and

      finally the electric piano shuffle ‘Gas Pumping Man’ is full of automobile-based double-entendres.
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