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Juke Boy, The Lone Cat, Stovepipe and The Good Doctor


                                                           By
                                                     Jim Simpson
                                                 (Used with permission)


    Considering the importance of the one man band in the Blues lexicon, it is remarkable how few of
    them ever achieved significant prominence.


    The first of this rare and precious breed that I encountered, was possibly the most well-known, The
    Lone Cat from Jonesboro, Georgia, Jesse Fuller, composer of the timeless “San Francisco Bay Blues”
    who I featured in The Refectory of The College of Advanced Technology – now known as Aston
    University – back in the early 60s.






































                                                     Then in 1973 I found and brought over William Paden
                                                     Hensley born in Bullock County, Alabama, but at that
                                                     time Detroit-based. He was known professionally as

                                                     Washboard Willie and billed himself modestly as The
                                                     Fantabulous Washboard Willie and his Super Suds of
                                                     Rhythm.

                                                     Willie featured on Big Bear's first American Blues

                                                     Legends tour along with Lightnin' Slim, Whispering
                                                     Smith, Homesick James, Snooky Pryor and Boogie
                                                     Woogie Red. He came straight from his day job as a
                                                     school bus driver and gigs in the bars and speakeasies of
                                                     Hastings Street, to single handedly captivating

                                                     audiences of 500 or 600 wildly enthusiastic,
                                                     predominantly white, European blues fans.

                                                     He took to this unfamiliar setting without so much as a
                                                     blink, as if he had never done anything else - and then
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