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Greg Koch—Blues—Create Records


                                           This is Milwaukee guitarist Greg Koch’s first album on

                                           Devon Alman’s Create Records label and features live
                                           performances with minimal studio overdubs.


                                           We begin with two previously unreleased tracks – the
                                           blasting ‘Can’t Lose What You Never Had’ with Jimmy
                                           Hall on harp and also the Memphis Horns, followed by
                                           Muddy Waters’ ‘Can’t Be Satisfied’ where Greg shares

                                           guitar and vocals with Larry McCray.

    We then get two Freddie King instrumentals ‘The Stumble’ and ‘Steppin’ Out’, as well

    as two extended nine-minute versions of ‘Stormy Monday’ and Hendrix’s ‘Red House’.
    These are followed by two Koch instrumentals ‘The Damn Thing’ and ‘The Ripper’,
    with the first being jazzy and the second funky.  Although Greg served his time in the

    bands of Milwaukee harp players Jim Liban and Steve Cohen his later solo work has
    veered more towards jazz – similar to Jeff Beck’s later work - and as such may appeal
    to guitarists more that general listeners.


    Graham Harrison





                                             John Hammond—You’re Doin’ Fine—Owsley Stan-

                                            ley Foundation


                                            This 3CD set (including a 60-page booklet of notes and
                                            photos) was recorded live at San Francisco’s Boarding

                                            House club over two nights in June1973 and contains
                                            45 tracks featuring the then 31-year old John on vocals,
                                            guitar and harmonica playing classic blues by Robert

                                            Johnson,  John  Lee  Hooker,  Muddy  Waters,  Elmore
                                            James etc.  John is just as adept at doing country blues
                                            as  in  the  six  Robert  Johnson  songs  as  50’s  Chicago

    blues like Billy Boy Arnold’s ‘Wish You Would’ and Sony Boy Williamson’s ‘Help Me’
    and Owsley Stanley’s recordings perfectly capture the atmosphere of the nights.


    I’m not a big John Hammond fan but I have seen him live and he is a very entertaining
    and accomplished performer however, with his limited instrumentation and material
    I thought that 45 tracks (including a couple of repeat tracks from the two nights) was

    just a bit too much.  I would have thought that one CD with say 20 of the standout
    tracks would have been a better option but obviously for hardened Hammond fans
    this 3CD collection will be welcomed.


    Graham Harrison
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