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including Fabrizio’s harp, restrained acoustic guitar and flute.  Shar also sings the

   very moving ‘Amazing Grace’ and also ‘Every Life Matters’ both again have subtle
   backing that highlights her upfront vocals.  Elsewhere Fabrizio does his own original

   blues song ‘Pilgrim’, Fred McDowell’s ‘You Gotta Move’ and ‘Slowhand’, an acoustic
   song by Volker Kinast and Hubert Dorigatti in praise of Eric Clapton.


   We also get Little Milton’s ‘The Blues is Alright’ an upbeat blues with electric guitar

   and Hammond organ and of course Fabrizio’s harp.  Fabrizio is a very good harmon-
   ica player but an average singer and so the better numbers here are the ones with

   Shar or Guy out front.


   Graham Harrison





                                           Dom Martin—Buried Alive—Forty Below


                                           Singer,  guitarist  and  songwriter  Dom  Martin  is  fast
                                           establishing a strong reputation on the blues scene and

                                           beyond, which is only fair as that is the musical territory

                                           he  inhabits.  He  tends  not  to  play  too  many  straight
                                           twelve bar numbers – though there are a few, and do

                                           listen to ‘Howlin’’ if you have any reservations – but the
                                           blues permeates many of his songs, as this double live

                                           set shows.

   ‘Buried In The Hail’ is a good example of the latter, with its huge sounding slide guitar

   work.  He  is  a  proud  Irishman,  and  as  such,  he  feels  that  comparisons  with  Van
   Morrison and particularly Rory Gallagher are justified – to some extent.


   Here he draws on material from the three studio albums he has made since bursting
   onto  the  scene  in  2019,  drawn  from  various  shows  across  Europe.  He  has  won

   numerous awards as an acoustic act, though he also leads a fine electric trio, and both
   of those sides are represented here. The songs ‘Daylight I Will Find’ and ‘Belfast Blues’

   are also present in both formats, allowing for a direct comparison if you wish to do
   that, but I’m just happy to have both.


   With his raw electric sound and relatively more considered acoustic side on a bunch
   of intelligent songs, Dom has become a big draw on the UK blues and roots scene.

   This fine release shows just why.

   Norman Darwen
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