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We start with John singing the old Staple Singers’ song ‘The Last Time’ with the lyrics imbued
    with an extra poignancy – “This may be the last time we sing together…” but his soul-drenched
    vocals here are certainly wonderful as he fronts the backing singers. ‘Rock Bottom’ is a driving
    version of the Elvin Bishop song powered by great boogie piano from Bob and ‘Sooner or Later’
    is a rerun of a track from John’s ‘Memphis Grease’ album a soul stomper with great bass from
    Kid. ‘Feelin’ Good’ is a nice version of the old J. B. Lenoir song with more double bass from Kid –
    “All the money in the world spent on feelin’ good” – and ‘Stealing Watermelons’ is another Elvin
    Bishop song, a rough and ready down-home blues with Elvin on vocals and John playing harp.



    ‘I Found Love’ has Willy Jordan sharing the vocals with John on this version of the old Wilson
    Pickett and the Falcons’ 1962 soul ballad and we go even further back for ‘Sexy Ways’ a rocking
    cover of a 1954 Hank Ballard song. ‘Come on in This House’ is a version of the Junior Wells’ song
    – one of John’s heroes and inspirations, while ‘Elbows on the Wheel’ is another reworking of a
    song from John’s ‘Memphis Grease’ album. We get great harp and vocals from John on the old
    Slim Harpo number ‘Shake Your Hips’ and we finish with another Bishop song ‘I’ll Be Glad’ a
    gorgeous slab of prime blues with dirty guitars, sharp backing vocals and keening harp.


    I loved this album – for me his best since “Magic Touch” – I felt that Kid Andersen’s production
    and the small band, let John’s vocals and harp playing really shine and you get the sense that
    everyone here is really enjoying themselves. The soul tracks from ‘Memphis Grease’ which had
    sophisticated backing with horns shouldn’t really work in this context but I actually preferred
    these more ‘ramshackle’ versions. I very much hope that John will be able to sing and play again
    as he recovers from his surgery and I personally hope that he returns to Greaseland to record
    more material.


    Graham Harrison


                                        Crystal  Shawanda—Midnight  Blues—True  North  Records
                                        ASIN : B0B5XCBKDM


                                        Crystal Shawanda is a Canadian who moved to Nashville in 2008
                                        to sing country music but her first love remained the blues and
                                        following her 2014 album “The Whole World’s Got The Blues”
                                        this  is  now  her  fifth  album  in  that  genre.  It  was  produced  by
                                        Crystal's husband Dewayne Strobel (who also plays guitar) and
                                        recorded  in  Nashville  with  a  band  including  Dave  Roe  (bass),
                                        Peter Keys and Jessie O’Brien (keyboards), Stave Marriner and
                                        Harpdog Brown (harmonica), and Mark Becket, Pete Abbott or
    Louis Winfield (drums).



    The opening title track is a moody blues with Crystal's vocals restrained but still powerful.
    However, on Buddy Guy's raunchy 'What Kind of Man is This' she turns the gain up to 11 and on
    the rootsy 'Rumpshaker' she also belts it out over a track featuring Marriner's harp and nice
    piano and guitar. 'How Bad Do You Want It' and 'Why Do I Love You' are two soulful ballads with
    Crystal again holding back to concentrate on melody but on the cover of Howlin' Wolf's 'Evil' she
    proves that she can match the power and menace of the great man. 'I Want My Soul Back' is a
    funky soul stomper with Hammond organ, 'That’s Just The Woman in Me' is another heartfelt
    ballad,  'Hold  Me'  is  an  uptempo  song  delivered  over  barrelhouse  piano  and  gospel  backing
    vocals and we check out with the cheesy 'Take a Little Walk With the Moon' - a echo of Crystal's
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