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Chris  Martin—From  Absence  to  Presence—Now  Then  Re-
                                        cords


                                        Chris Martin is well known on the British blues circuit, particu-
                                        larly in the north of England as the “Man in the Hat”, renowned
                                        for  his  live  performances  that  entertain  and  make  you  smile.
                                        Despite having to overcome serious health issues he has man-

                                        aged to come out the other side and release this new album.


                                        The album opens with ‘Absence’ a gentle soothing instrumental.
                                        ‘When I Feel Your Name On My Lips’ has a nice Americana vibe
    about it with some sweet backing vocals from Lisa Marie Glover underpinning Chris’s well
    suited, well seasoned voice, I really liked this one. ‘Appraising Grace’ unsurprisingly references
    ‘Amazing Grace’, an instrumental with a touch of Ry Cooder about it. The classic ‘How Can A
    Poor Man Stand Such Times And Live’ carries a poignant message so relevant in these current
    times. ‘Rolling In My Sweet Baby’s Arms’ is a great upbeat version of this old classic.


    There’s some gutsy Delta blues style slide to be had on the old Tampa Red classic ‘’It Hurts Me
    Too’. ‘That’s Awkward’ is uptempo and bouncy whilst ‘Flood Water’ digs a nice groove. There is
    some more poignant blues to be had with the Blind Lemon Jefferson classic ‘See That My Grave
    Is Kept Clean’ that features some nice harmonica from Alex Eden. ‘Bring Me That Preacher Man’
    brought to mind shades of Half Deaf Clatch. ‘Take A Walk In The Wildernesses’ is such a lovely
    song and Chris really does this George Ross Watt tune justice. The album closes in the style that
    it opened with a gentle soothing instrumental ‘Presence’. There is also a bonus track of the
    aforementioned ‘Flood Water’ to be had, this time a full band version.



    Chris has developed his style and honed his craft over the years to produce what appears to be
    an almost effortless smoothed out slide guitar technique which is so pleasing on the ears. Whilst
    his voice may not be his strongest asset it is seasoned and well suited to match these songs. He
    definitely has a feel and sound of Chris Smither about him. Chris has put a great album together
    here that has been thought through and flows and I encourage you to give it a spin.


    Ged Wilson


                                        Sir Oliver Mally Group—Cancellation Blues—Blind Rope Re-
                                        cords


                                        The Sir Oliver Mally Group are a blues band from Austria and are
                                        new to me so I am keen to hear their latest offering, “Cancellation
                                        Blues”.


                                        The album opens with ‘On The Way’ a gentle twelve bar blues.
                                        Their cover version of the Bob Dylan tune ‘Like A Rolling Stone’
                                        has a Dire Straits feel about it. ‘21st Century Blues’ opens with a
                                        nice upright bass riff carrying a spoken word vocal and there is a
    great harmonica break from Hubert Hofherr.


    The title track ‘Cancellation Blues’ has a gentle blues groove and is enhanced with Ian Siegal

    adding some supporting guitar and vocals. The old classic ‘Spooky’ features some lovely electric
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