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A BiTS INTERVIEw: andy cohen

      Andy  Cohen  is  a  finger  style  guitarist  who  was  hugely  influenced  as  a

      teenager, by the blues/gospel legend Rev Gary Davis and has devoted his
      musical life to the study and performance of pre-WWII traditional blues
      and folk music.  Memphis-based, he is a virtuoso finger-style guitarist and

      musicologist  known  as  a  "walking,  talking  folk-blues-roots  music
      encyclopaedia".


      He is a key preservationist of the Piedmont blues tradition and has spent
      over  50  years  touring,  playing  pre-WWII  acoustic  blues,  ragtime,  and

      gospel. He has made dozens of albums some of which may be found at
      https://www.andycohenmusic.com/albums/


      Recently he released (with Eleanor Ellis and William Lee Ellis)  “Whistlin’
      Past The Graveyard” a 21-track tour-de-force of old-time blues, gospel,
      ballads, ragtime, and country song.


      Ian McKenzie  asked him about his life and the album.


                                                                 BiTS: Andy, 'I’d like to know how you
                                                                 got  into  this  wonderful  music  in  the
                                                                 first place and then how you managed

                                                                 to meet and sometimes assist so many
                                                                 great musicians.'

                                                                 AC: A bit of a long story, but the nub of
                                                                 it  is  that  my  pop  was  a  lefty  labour
                                                                 lawyer who stood up to Management,

                                                                 McCarthy         and      in     general       the
                                                                 conservative  politics  of  his  day.  He
                                                                 loved classical music, opera, Broadway
                                                                 shows, trad Jazz and any kind of music

                                                                 that came from the lower classes that
                                                                 he'd come from.

                                                                 I  took  to  the  Dixieland  and  the  folk
                                                                 music,  grew  up  playing  rags  on  the

                                                                 piano  and  left  the  classics  and  the
                                                                 operas alone, along with the Rock and
                                                                 Roll that was supposed to be mother's
                                                                 milk to my generation. I liked the old
                                                                 stuff better and thought that Rock was

                                                                 simplistic in form and content. I'm still
                                                                 not fond of any of that other stuff but I
                                                                 understand it better now.
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