Page 13 - BiTS_04_APRIL_2026
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The other thing that came out of that night was how good a match, like a ball and
    socket, all this beautiful music was to what was going on in the streets and in the
    halls of power.


    BiTS: how did you become a 'lead' for Rev Davis and others.

    AC: I got to be Davis's lead boy a couple of times, once in Chicago when he played
    the Quiet Knight, and I was working for the guy who owned it doing handy work. He

    knew I was a picker, and he asked if I'd put Davis up at my apartment while he was
    in Chicago for two weeks. Uh, yeah!...

    A year later we moved to Detroit, down the street from two friends who were about

    to get married, Loring Janes and Sue Mosher.  The Rev Davis came out to marry them,
    and while he was staying there, he did a bunch of gigs all over  Michigan. We even
                                                                   took  him  to  the  Gibson  factory  in

                                                                   Kalamazoo. He played in Lansing, Ann
                                                                   Arbor, at the Chess Mate in Detroit, I
                                                                   think he even went to Traverse City

                                                                   at one point.

                                                                   I  was  okay  as  a  lead  boy,  and  he
                                                                   instructed  me  on  how  to  do  it,  his

                                                                   hand  on  my  outstretched  arm,  just
                                                                   resting on it, and he could follow me
                                                                   at a natural pace. He could see a little

                                                                   and was fiercely independent.

                                                                   BiTS:  Thanks  for  telling  me  that.
                                                                   How  did  you  advance  your  guitar

                                                                   playing?

                                                                   AC:  I  should  also  say  that  the

                                                                   Instructional  appendix  to  Alan
                                                                   Lomax's Folksongs of North America
                                                                   was  very  helpful.  The  licks  were
                                                                   clearly  described,  with  each  one

                                                                   keyed to several songs in the book.

                                                                   When I first learned to drive, I picked
    up a hitchhiker who was carrying a guitar case. Once he was in, I asked him what he

    had, and said he'd just mustered out of the Army and used his muster money to get
    a brand-new D-28, four hundred bucks out the door, case and all. I asked him if he

    knew how to Travis pick, and he showed me by miming it on his leg. Once I saw it,
    I could do it. He didn't even have to tell me to lift my thumb back on the 'and' of two
    so it would be in place to play the low note at three.


    BiTS: I have seen you described as a musicologist. Is that how you see yourself?
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