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Rick Vito—Slidemaster—Mojo Records


                                          Guitarist, singer and producer Rick Vito is perhaps best
                                          known  as  a  member  of  the  legendary  supergroup

                                          Fleetwood Mac (1987-1991). His guitar work and songs
                                          are featured on their albums, “Greatest Hits”, “Behind

                                          The  Mask”,  “The  Very  Best  Of  Fleetwood  Mac”,  “The
                                          Chain”, and the live concert DVD, “Tango In The Night”.


                                          Known for ihs beautifully controlled use of the slide, Vito

                                          has gone whole hog here with a twelve track album of
    blues music—with a touch of soul—all instrumentals. All of them feature his slide

    work.


    The album features some new pieces as well as re-mastered work from the past.
    Rick’s last album “Cadillac Man” generated a great deal of airplay and praise for his
    “expressive playing” and in one sense this could be said to be more of the same.


    The  new  tracks,    ‘Vegas  Jump’  and  ‘Soul  Shadows’,  are  beautifully  played  and

    somehow Vito (especially in the first one) makes his guitar sound like a ‘sacred steel’
    lap or pedal  steel, echoing  Willie Eason,  his nephew Aubrey Ghent or the better

    known Robert Randolph.


    I have no idea what guitars Vito used, suffice it to say that he is a designer of Art
    Deco and Modernistic guitars and is the designer of the stunning “Rick Vito Soul

    Agent” Signature model guitar (Reverend Guitars). This ‘two strings to his bow’ thing
    enables him to  put his skills as a luthier and his skills as a player firmly together.

    The sound is magnificent.


    We  are  treated  to  cracking  arrangements  of  Peter  Green’s  ‘Albatross’  and  ‘The
    Supernatural’ as well as  Sam Cooke’s, ‘A Change Is Gonna Come’. ‘Albatross’ was

    brave choice, as it must be close to, if not the, best known slide piece in the world.
    Nevertheless, Vito allows sufficient space for interpretation to make it his own.


    The album finishes with an outstandingly beautiful version of ‘The Lord’s Prayer’.

    Somehow he manages to make his guitar sing the words without the use of the
    horrendous Vocoder.


    I’m not sure this is for everyone, but for me, this is a lie-back-in-a-comfortable -chair,
    -close-your-eyes-and-let-the-music-flow-over-you recording.


    Well done Mr Vito!


    Ian K McKenzie
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