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festival it was just amazing and we were put up in a
      beautiful hotel and the festival was held in the Bollywood
      studio which was really unusual and so different and they
      did so many things to make you feel welcome. They did an
      Indian night the first night where I went out and bought a
      sari and everything and we dressed up in that style and all
      the bands got to eat together. Then there was the press day

      with the Rolling Stone magazine and that was really
      fantastic as well. But the whole experience was just really
      different and their culture and being over there, part of
      that was so special and what I loved was we also got to
      perform on the last night. Myself and Shemekia Copeland

      both got to play with Supersonic Blues Machine and Billy
      Gibbons, so that was something really really special as
      well.
      Eddie Mac Scoundrels at the Blues Club

      BiTS: You are, I presume, in some kind of lockdown at the                    Shemekia Copeland
      moment, so no income for you whatsoever, really.



      GD: No. We’ve been doing a couple of these online gigs which have been fun and a new experience
      for us, but it’s difficult like when you’re a musician, and you’re used to travelling, it’s hard to not
      be part of that and being out there with your audience. We’re trying to use it as a time to finish our
      new album, so we’ve been doing that, but apart from that it’s just the interaction you get online,
      but for me, that’s still not the same as being there.



      BiTS: Tell me something about the latest album. I think it’s the latest one, Where I Belong.


      GD: Yes that’s right. We made it with a wonderful producer called Justin Stanley in LA, and we had
                                                    some beautiful musicians on that and I think a little bit
                                                    more Americana country roots were coming through on
                                                    that album because I used to listen to a lot of country
                                                    growing up and it was inspired a little bit by kind of that
                                                    style of music. When we were in LA, we found out about

                                                    Chris Stapleton recording it and I loved his sound as well.
                                                    I loved the bigness of his voice and the way it was kind of
                                                    country blues, but that album was recorded there over two
                                                    periods. We went over for one session and then a second
                                                    session and it’s mostly songs with kind of a raw bluesy

                                                    Americana quality.


                                                    BiTS: You write most of your music yourself. How do you
                                                    go about writing a song?


      GD: I think it can be a different process every time, but mostly I usually start with a feeling of
      chords or in a mood like if I feel like okay I want to write something up-tempo, or I want to write
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