Page 49 - BiTS_09_SEPTEMBER_2021
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Tiffany Pollack—Bayou Liberty—Nola Blue  ASIN:

                                           B093CHHGYW

                                           This is apparently Tiffany's second album and sees her playing
                                           with her recently reunited cousin guitarist Eric Johanson. The
                                           album was produced by singer harp player John Nemeth who
                                           plays chromatic harp on the opening blues 'Spit On Your Grave'
                                           (Tiffany was a licensed mortician!) and although Tiffany is from

                                           the Crescent City she recorded with John in Memphis on tape at
                                           Electraphonic Studios for that old skool feel. It's not all blues
                                           though, 'Crawfish and Beer' is a lighthearted, amusing song and
                                           'Mountain' is a country ballad and one of my favourite tracks is
    'Hourglasses' a melodic song that blends an almost acoustic backing with honking sax out front.
    'Baby Boys' is another melodic ballad which features mother of three Tiffany musing on the
    sometimes tragic fate of mother's sons. At times I wasn't entirely convinced by Tiffany's voice and I

    thought that in general she handled the non-blues songs better but this is a pleasant enough record
    with well-played backing and some reasonable original songs.

    Graham Harrison

                                           Blues Traveler—Traveler's Blues—Round Hill Records  ASIN:
                                           B092HHBDRB


                                           This new record from Blues Traveler is a covers album which
                                           also features guests on nearly every track, including Christone
                                           “Kingfish” Ingram, Rita Wilson, John Scofield, Warren Haynes
                                           and Keb’ Mo’. It was produced by Willy Nelson’s producer Matt
                                           Rollings, who probably also roped in Willie’s harp player Mickey
                                           Raphael. We start with a straight ahead cover of Son Seals’

                                           ‘Funky Bitch’ with nice harp from Mr. Popper – he starts off quite
                                           restrained but soon slips into his 100MPH soloing, then it’s three
                                           blues classics - Jimmy Reed’s ‘You Got Me Runnin’ with Crystal
                                           Bowersox helping John out on the vocals, Freddie King’s ‘Tore
    Down’ given the Bo Diddley treatment and with Wendy Moten on vocals, then it’s Big Mama
    Thornton’s slow blues ‘Ball & Chain’, with Christone “Kingfish” Ingram adding his lead guitar and
    sharing vocals.


    We then leave ‘The Blues’ behind for Gnarls Barkley’s No. 1 hit ‘Crazy’ (?!) with Rita Wilson helping
    out on vocals and John Scofield adding some nice jazzy guitar and guess what? it works, with Mr.
    Popper just singing rather than also adding his harp. The harp (and also the blues) is back on the
    old Mississippi Sheiks’ classic ‘Sittin’ On Top of the World’ with Warren Haynes on slide guitar and
    vocals and nice piano from the band’s Ben Wilson, then it’s Little Willie John’s ‘Need Your Love So
    Bad’ with The War and Treaty adding their sensational voices.  I felt the cover of The Doors

    ‘Roadhouse Blues’ was a bit routine (I would have liked to have heard John and Mickey have at it in
    a harp battle) ditto J.J. Cale’s ‘Call Me the Breeze’ but we finish on a high with Keb’ Mo’ joining the
    boys for a relaxed romp through the old classic ‘Trouble in Mind’ - more nice piano from Wilson and
    guitar from Chan Kinchla, the band is completed by Tad Kinchla (bass) and Brendan Hill (drums).
    I’m not the biggest fan of Blues Traveler (they can’t even spell their name right!) but I couldn’t help
    liking this record, ‘Crazy’ and all.  I thought that they didn’t overdo the jam band interpretation of
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