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Sue Foley—Live in Austin Vol. 1—Stony Plain  ASIN :

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                                         Canadian singer/guitar slinger Sue Foley’s last album
                                         ‘Pinky’s Blues’ was very good and her previous one ‘The

                                         Ice Queen’ was even better and for some reason I pre-
                                         sumed  this  new  one  with  its  black  and  white  cover
                                         photo was old live recordings issued to cash in on these

                                         albums’ success.  It isn’t, these are live tracks recorded
                                         in May 2023 at Austin’s Continental Club with Sue and
     a small band of Corey Keller (drums), Jon Penner (bass) and Derek O’Brien (gui-

     tar), with Sue’s husband Mike Flanigin producing (plus occasional backing vocals
     from Angela Miller and Lauren Cervantes).  We blast off with Sue’s own song ‘New
     Used Car’ it’s raw and rocking with Sue’s guitar upfront and a pounding rhythm

     section and ‘Walking Home’ is relentless up-tempo rockabilly.

     ‘Highwayside’ is a more poignant melodic ballad with a nifty guitar solo from Mr.
     O’Brien and also nice backing vocals from the girls then Sue revisits Howlin’ Wolf’s

     ‘Howlin’ for My Darling’ from her 1995 album ‘Big City Blues’ with great interplay
     between her and O’Brien’s guitars.  ‘Queen Bee’ (a rewrite of Slim Harpo’s ‘King
     Bee’) and the instrumental ‘Hooked on Love’ both appeared on her first LP 1992’s

     ‘Young Girl Blues’ and ‘Positively Fourth Street’ is a well-judged cover of the Dylan
     song,  a  bit  reminiscent  of  Lucinda  Williams  but  for  me  more  committed  and
     emotional. She also revisits Memphis Minnie’s ‘Me and My Chauffeur’ from that

     first album, while ‘Better’ is from the 1996 album ‘Walk in the Sunshine’ and we
     check out with the quite poppy ‘High Roller’.  I enjoyed this record which is quite

     raw and basic but I find Sue’s guitar playing very distinctive like a cross between
     50s rock and roll and the West-Side Chicago blues players like Magic Sam.  My only
     complaint would be that at just over 40 minutes it’s a tad short and left me wanting
     more  but  as  its  title  is  ‘Live  in  Austin  Vol.  1’  hopefully  we  will  get  a  further

     instalment.

     Graham Harrison


                                         Liam Ward Band—Shine—Green Bullet Records

                                         If  you’re  familiar  with  harmonica  player/singer  Liam
                                         Ward from his work in The Rumblestrutters and The

                                         Jake Leg Jug Band this album may be a bit of a shock as
                                         here he plays with an electric band and plays amplified
                                         Chicago-style blues harmonica.  On opener ‘I Got Lucky’

                                         Liam’s vocals reminded me of Paul Jones with his actor-
                                         ly delivery but his harp playing is fine and ‘Stone in My
                                         Shoe’ is similarly dramatic with a lovely plaintive harp

                                         solo. ‘What’s Your Alibi?’ adds piano and backing vocals
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