Page 53 - BiTS_12_DECEMBER_2023
P. 53

from Helen Hart and Bryony-Rose Ward to the basic quartet line up of Malcolm

     Thorne (guitar), Zach Bartlett (bass, keyboards) and Joe Harris (drums) and ‘500
     Dollar Bail’ is a driving blues with Liam adding great harp complete with blow
     bends (although I find it hard to imagine Liam ever being in jail!).


     The title track is a tribute to Liam’s father who passed away in 2009 at the age of
     only 52 and all proceeds from this album go to the Stroke Association.  ‘Every-
     thing’s Gonna Be Fine’ is a 9-minute slow blues that gives Mr. Thorne a nice lead

     guitar  solo  and  also  features  Zach  Bartlett  on  organ  while  ‘Pack  Your  Sense  of
     Humour’ is a driving boogie.  ‘Do What You Do’ is a Latin-flavoured song and we
     finish with ‘Give It All Up For You’ with Liam solo, singing and playing harp Sonny

     Boy  Williamson-style.    This  album  shows  Liam’s  versatility  switching  from  his
     more  usual  acoustic  sounds  to  modern  electric  blues  with  his  great-sounding
     amplified harp and the band also sound very good - and of course proceeds from

     this album go to a very worthy charity.

     Graham Harrison





                                         Ghalia Volt—Shout Sister Shout—Ruf Records  ASIN
                                         :B0CCYXT2HV


                                         Belgian-born Ghalia Volt’s last album was ‘One Woman
                                         Band’ recorded in Memphis’s Royal Studios but this new
                                         record (her fourth) sees her recording with a band in
                                         David Catching’s Rancho De La Luna Studios in the Cali-

                                         fornia desert.  The band is Catching (guitar), Ben Alle-
                                         man (keyboards) and Danny Frankel (drums) and the

                                         sound veers away from straight blues to a more psyche
     vibe reflecting the backgrounds of the musicians involved - Queens of the Stone
     Age, Dr. John and Lou Reed.  Opener ‘Every Cloud’ has a menacing atmosphere that
     reminded  me  of  The  Doors,  ‘Changes’  is  more  melodic  (again  underpinned  by

     Alleman’s organ) but ‘Insomnia’ is bluesy with Ghalia’s delicate guitar.  The title
     track is not the Sister Rosetta Tharpe song but an appeal for women’s rights with a

     wah-wah guitar solo, ‘No Happy Home’ is a rocker with slide guitar, ditto ‘She’s
     Holding You Back’.

     In ‘Can’t Have It All’ Ghalia and the band really combine in a dramatic powerhouse

     stomper, with Alleman’s organ again outstanding and ‘Hell Is Not Gonna Deal With
     You’ continues in similar fashion - again with a Door’s-style vibe and with Frankel
     drumming up a storm.  ‘Hop on a Ride’ is a co-write with Eddie 9V and returns to

     the hill country sound of her ‘Mississippi Blend’ album with electric slide guitar and
     electric piano. ‘Dog Ya Around’ has pounding drums and echoey guitar while ‘Po’
     Boy John’ is driving rockabilly powered by Alleman’s impressive barrelhouse piano.

     Although Ghalia has slightly swerved away from straight blues with this release I
   48   49   50   51   52   53   54   55   56   57   58