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of ‘Heart So Cruel’. The only cover on the album is the traditional ‘Alberta’, attributed to

    ‘Leadbelly’. Here BLP waxes softly and lyrically with the atmospheric feather-light brushwork from
    Juli Moscovitz, enhancing the very soft and enticing dreadnought and dobro guitars.

    There are two darkly sinister numbers here; the first is ‘I Killed The King Of The Blues’, a re-
    worked tale of the death of Robert Johnson, BLP sounds like a very solemn Tom Waits, with a lonely
    wailing harmonica joining a sonorously sombre slide. The second ‘Death Don’t Ask Permission’, is
    led by a funereal paced, solemn bass and percussion which underpins a deathly echoing Dobro

    while BLP’s gently emotive subdued vocals state the facts.

    Most impressive!

    Brian Harman.

                                           Chris Jagger—Mixing up the Medicine—BMG  ASIN:
                                           B095GFCFT3


                                           Chris Jagger has been around for a long time and you wonder if
                                           that is just because his older brother is Rolling Stone Sir Mick but
                                           right from the first track - the Van Morrison-ish ‘Anyone Seen My
                                           Heart’ - this album is engaging, it’s bluesy if not exactly blues
                                           with interesting songs and good playing and a nice relaxed, loose
                                           atmosphere. ‘Merry Go Round’ and ‘Love’s Around the Corner’
                                           are both brass driven songs, the former with slide guitar and the

                                           latter with blues harmonica and both have a slight Caribbean lilt,
                                           while ‘Talking to Myself’ is a jazzy stop time number in the style
    of Mose Allison that really swings, with Les Morgan on drums and a nice tenor sax break. The
    album was recorded with longtime collaborator Charlie Hart who plays piano and bass, with
    contributions from Neil Hubbard and John Etheridge (guitar), Nick Payn and Frank Mead (horns),

    Dylan Howe (drums) and Olly Blanchflower (bass). ‘Loves’ Horn’ sounds like an Eastern European
    sea shanty and ‘Hey Brother’ is a poignant message to his older sibling and we finish with ‘Too
    Many Cockerels’ an updated jug-band song with harmonica and accordion. I enjoyed this record
    which maintains an overall sound while also having lots of variety, Chris isn't a particularly
    wonderful singer but he holds his own with his talented backing musicians.

    Graham Harrison

                                           Eric Bibb—Dear America—Provogue Records  ASIN:

                                           B096TW84GT

                                           Eric Bibb has a beautiful voice and is a wonderful acoustic guitar
                                           player and he's long been regarded as just a country blues player
                                           and although he does do that his albums over the last 15 years or
                                           so have also included more thoughtful, political songs and have
                                           incorporated other types of music to leaven the mix. The opening

                                           track here ‘Whole Lotta Lovin’ is a gentle acoustic song with Ron
                                           Carter on bass as Eric runs down his musical and culinary tastes,
                                           then 'Born Of A Woman' is much darker - it has a African vibe as
                                           it relates stories of domestic violence and features Shaneeka
    Simon on vocals and some nice slide guitar. The blues isn't forgotten though - ‘Whole World's Got

    The Blues’ relates ‘the blues’ to current situations in the world and a general malaise, it also has
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