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Matt Daniels, Davis Gross (guitar), Bill Held (piano), Matt Raymond (bass) and Michael Bram
    (drums) again stay close to the original arrangements with subtle, understated playing.

    There are some lesser known SBW songs here – ‘Don’t Lose Your Eye’, ‘Keep It to Yourself’ and

    ‘Shuckin’ Mama’ – but on another real classic ‘One Way Out’ Mikey and the band both totally
    nail it.  Many will think that these fairly simple arrangements of straight forward blues tunes
    are easy to play but I think the opposite - to get the feel of the original records is very, very
    difficult but these guys definitely achieve it.  We finish with one of my SBW favourites ‘Keep

    Your Hand Out of My Pocket’, again a very authentic take on the original.  OK so this Sonny Boy
    Williamson isn’t the original Sonny Boy Williamson and he probably tried to piggyback on the

    original’s fame but make no mistake his singing, harmonica playing and song writing are first
    class.  Mikey’s tribute showcases all these strengths but I sometimes felt they were just a little
    too close to the original versions and I would have liked to have seen him and the band put more
    of their own spin on them.

    Graham Harrison

                                         Alice Armstrong—Fury & Euphoria—Independent Records


                                          Alice  Armstrong’s  new  7-track  album/EP(?)  starts  with  a

                                          dramatic,  atmospheric  track  ‘Persephone’  that  owes  more  to
                                          Kate Bush than blues but ‘Punchline’ pulls it back, with Alice

                                          singing over chiming guitar and swelling organ.  ‘Good Love’ ups
                                          the pace, it’s a real banger with Alice’s soulful vocals and great
                                          organ and guitar, while the perky ‘Bombshell’ swaps the organ

                                          for piano (it reminded me a bit of the group Sparks!).  The drama
                                          is back for ‘Scratching Walls’ a powerful soul ballad and then we
                                          get even more drama with a version of Cher’s ‘Bang Bang (My

    Baby Shot Me Down)’ – I can imagine that this goes down really well when performed live – and
    we finish with ‘Auto Assassin’ a VERY dramatic slow blues.  Much as Alice is the star here with
    her very impressive vocals which seem to get better with each release, the band are also excellent

    - Olly Knight-Smith (guitar), Greg Coulson (keyboards), Joshua Rigal (bass) and Kevin Hickman
    (drums).
    Graham Harrison


                                          Mike  Henderson—Lastnite  at  The  Bluebird—Qualified
                                          Records


                                          I hadn’t realised that Mike Henderson had died nearly two years

                                          ago - I’ve always enjoyed his slide playing and his rough and
                                          raucous blues in the style of Hound Dog Taylor and I was also
                                          surprised to see him playing blues harp with Joe Bonamassa.

                                          This album was recorded live at Nashville’s Bluebird Café (where
                                          Mike had a Monday night residency for nearly 30 years) with
                                          Mike  on  vocals  and  guitar,  Kevin  McKendree  (piano),  Steve

                                          Mackey (bass) and Pat O’Connor (drums).
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