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I have to say this is one of my favourite albums I have reviewed so far this year and with this
    album being labeled Vol. 1 am hoping there is going to be a Vol. 2 coming along very soon indeed.
    Ged Wilson

                                          Roomful Of Blues—Steppin’ Out!—Alligator Records


                                          New England’s acclaimed Roomful Of Blues have been deliver-
                                          ing  horn-driven  blues,  swing,  R&B,  Soul  and  Rock  &  Roll  for
                                          over fifty years. They’ve cut 23 albums (six on Alligator), earned
                                          five Grammy nominations and seven Blues Music Awards. DD
                                          Bastos makes her debut here as the band’s first female singer.

                                          The album opens with the dramatic big band sound of ‘Satisfied’
                                          followed by the steady blues of Z Z Hill’s ‘You Were Wrong’.
                                          ‘Steppin’ Up In Class’ the Jimmy McCracklin song has a swampy

                                          tremolo  drenched  feel  to  it.  Things  slow  down  a  little  with
                                          ‘Please Don’t Leave’ before ‘Tell Me Who’ gets your foot tapping
    once again.

    DD Bastos tips her hat to Big Mama Thornton on ‘You Don’t Move Me No More’ and there’s a
    nice sax break on the Etta James tune ‘Good Rockin’ Daddy’. Things slow right down with some
    nice muted trumpet on ‘Tend To Your Business’. The band swing on Tiny Bradshaw’s ‘Well Oh
    Well’  and  there’s  some  nice  piano  based  barrelhouse  blues  on  the  Miles  Lewis  tune  ‘Dirty
    People’. The album closes with some Boogie Woogie on ‘Boogie’s The Thing’.

    Roomful of Blues are well known for their big band sound and the boys in the brass section
    certainly deliver and that is where the strengths of this band lie. DD Bastos has a great voice
    and you can see her influences coming through on the Big Maybelle and Big Mama Thornton
    covers.

    However, I find this album has nothing new to offer and sounds a bit dated, almost a cabaret
    feel to it. I also think that Chris Vachon’s guitar solos come across a tad predictable and lack
    lustre although he displays competent guitar playing. Maybe after fifty years Roomful Of Blues
    may well have finally run their course.
    Ged Wilson

                                          Robert Jon And The Wreck—Heartbreaks & Last Goodbyes
                                          — Journeyman Records


                                          Robert Jon & the Wreck are an American five-piece blues rock /
                                          Southern rock band. Formed in Orange County, California, Unit-
                                          ed States, in 2011, they are on the rise having released several
                                          albums and toured extensively.


                                          The album opens with ‘Sittin’ Pretty’ a powerful upbeat guitar
                                          rock infused tune with hints of Bonamassa in the guitar work.
                                          ‘Ashes In The Snow’ has a nice country southern rock feel to it.
                                          ‘Highway’ is another driving rock number with maybe a nod to
                                          a Steely Dan influence in the guitar solos followed by ‘Old Man’
    another rock tune. Great opening riffs lead into ‘Dark Angel’ a great foot tapper with shades of
    the Eagles here.
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