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Kirk Fletcher—Keep on Pushing—Vizztone Records  ASIN
                                          : B0FCLVXF6P


                                          This is Kirk’s eighth studio album and he leaves California to
                                          record at the Wow and Flutter Studio in Nashville with JD Simo
                                          co-producing.  We start with an authentic 50s-style cover of
                                          Ruth Brown’s ‘It’s Love Baby’ and that’s followed by a lovely,
                                          flowing  version  of  Big  Bill  Broonzy’s  ‘Just  a  Dream’.    Arthur
                                          Crudup’s ‘I’m Gonna Dig Myself a Hole’ gets a similar rocking
                                          treatment  with  Kirk  really  swinging  on  guitar  and  Percy
                                          Mayfield’s ‘Lost Love’ is a delicious slow blues with wonderful
                                          BB King-style guitar and Kirk’s vocals being very heartfelt. The
     album’s first single ‘Croke’ is a jazzy Freddie King-style instrumental that again really swings –
     but seems an odd choice for a single.


     The title track is a nice Fletcher original with another biting lead guitar solo and ‘Think Twice
     Before You Speak’ is a restrained song by Al Smith that I hadn’t heard before, apparently it was
     a minor hit in 1966.  ‘Here in the Dark’, most associated with T-Bone Walker, is a lovely delicate
     take with both subtle guitar and also thoughtful vocals and we finish with ‘Blues for Robert
     Nighthawk’ a laid-back instrumental featuring JD Simo on slide guitar.  I liked that Kirk has
     taken some of his favourite tracks here to reinterpret – he isn’t afraid to take acoustic tracks
     by Broonzy and Crudup and put his own electric spin on them BUT still keeping the spirit of the
     originals.  I loved the tone of his guitar throughout and the subtlety and swing that he brought
     to all the songs and the band of Simo (guitar), Ron Eoff (bass) and Jason Smay (drums) are also
     superb.
     Graham Harrison

                                          Connor Selby—The Truth Comes Out Eventually—Provo-
                                          gue  ASIN : B0FFL2QSW7


                                          This is Connor Selby’s second album and the opening track and
                                          first single ‘Someone’ sounds incredibly mature for a 26-year
                                          old, it’s a relaxed, soulful song with brass, back-up vocals and a
                                          nice biting lead guitar solo.   ‘All Out of Luck’ is more of the same
                                          built on Dave Limina’s keyboards and with more stabbing brass
                                          and the title track is a delicious slow blues with subtle, tinkling
                                          guitar that reminded me of John Mayer.   There’s more straight-
                                          up blues on ‘(I am) Who I Am’ with Connor’s tough vocals and
                                          even tougher lead guitar, while ‘I Won’t Be Hard to Find’ is a
                                          laid-back country-ish ballad with acoustic rhythm guitar and
     pedal steel lead guitar and the delicate ‘Amelia’ also keeps the acoustic vibe.


     The brass returns for ‘It Hurts to Be in Love’, it’s a soulful, slightly jazzy song with a Jimmy
     Smith-style organ solo from Mr. Limina and Connor also adding a tasteful, considered guitar
     solo.  ‘What Else is There to Say’ is another very sophisticated, bluesy ballad and on the final
     lovely melodic acoustic ‘Songbird’ (not the Fleetwood Mac song) Connor is joined on vocals
     by Georgia Van Etten.  As I’ve said I’m amazed that someone so young can produce work that
     is so mature and sophisticated, there is also lots of variety here from full band tracks to more
     acoustic ballads – all handled beautifully.
     Graham Harrison
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