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In 1946, at the age of 25, he had something of a hit with the song ‘Harlem Nocturne’,
     which resulted in him joining a tour with the Inkspots. His prowess as a big band
     drummer was recognised by some of the top names of the circuit, which resulted in
     him playing with Count Basie, Lester Young and Lionel Hampton.


     However, the era of the big bands was passing by the end of the 1940s, so he trimmed
     his own band down to two saxes, trumpet, trombone and a rhythm section. He called

     this his “small big band playing blues and that became rhythm and blues”, and it
                                                          included Bill Doggett on keyboards, Johnny
                                                          ‘Guitar’  Watson,  and  Jimmy  Rushing  on
                                                          vocals.  In  fact,  he  had  already  found  that
                                                          audiences preferred it when he played blues

                                                          and  boogie  woogie,  rather  than  the
                                                          traditional big band music, so cutting down
                                                          on the numbers in the band, but adding a

                                                          blues  guitarist  and  boogie  piano  player
                                                          worked to his advantage.

                                                          He  also  opened  his  own  club,  ‘The

                                                          Barrelhouse’,  in  Watts,  which  was  strictly
                                                          R&B  only,  and  commenced  a  long  and
                                                          successful  career  as  a  dj,  on  radio  KFOX,
                                                          which in turn led to a tv variety show, on

                                                          station KTTV, which ran for 8 years.

                                                          Running  his  own  band  and  club  enabled
                                                          Johnny to act as something of a ‘svengali’ for

                                                          artistes  he  considered  worthy  of  further
                  Big Mama’ Thornton
                                                          attention,  including  Etta  James,  Jackie
                                                          Wilson, Hank Ballard, ‘Little’ Esther Phillips,

     ‘Big Mama’ Thornton, ‘Sugar Pie’ Desanto, and the Coasters (then known as The
     Robins) all of whom were featured vocalists in his band at one time or another.
     Indeed, Phillips was only 13 years old when he signed her up for his band in 1949,
     and the following year he had no less than 10 R&B hits.


     His one US pop hit, and probably his best known number, ‘Willie and the Hand Jive’
     was in 1958, but it has been recorded numerous times over the years since. The
     previous year he had achieved the number two spot in the UK with ‘Ma He’s Making

     Eyes At Me’.

     He and/or his band also backed other artistes on record, and he produced many of

     them, including Little Richard, Johnny Ace, ‘Big Mama’ Thornton and Etta James, and
     Otis had a hand in writing a number of their hits, including ‘Hound Dog’, ‘Pledging
     My Love’, ‘Roll With Me Henry’, and ‘Every Beat of My Heart’. Indeed, between 1950
     and 1952 the Johnny Otis Band was involved in 15 hit records!
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