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Blind Lemon Pledge—Lemon Live!—Ofeh
                                                 Records

                                                 This  live  album,  (BLP’s  eleventh  release)  was

                                                 recorded over two performances at the ‘Chit Chat
                                                 Café’ in Pacifica, California. The thirteen numbers
                                                 here include six originals and seven covers.


                                                 Bay Area bluesman, BLP (James Byfield) leads on
                                                 vocals and guitars, with Winston "Sioux City Slim"
                                                 Andrews, harmonica; Mr. Peter Grenell; bass and

                                                 Rockin' Juli Moscovitz on drums.

    The sawing, sweeping steel guitar opener ‘Blackeyed Suzie’ is a bright and breezy

    foot  tapping  tribute  to  Son  House.  ‘Hard  Heart  Honey  Bee’,  is  led  by  a  sawing
    harmonica and swinging brush work. The rolling, goodtime ‘Sugar Rush’ continues
    the harmonica and brushwork swinging feel. Fenton Robinson’s ‘Somebody Loan
    Me  a  Dime’  is  downbeat  and  melancholy  with  a  suitably  dragging,  lonesome

    harmonica, an underpinning, morose guitar enhances the mood.

    Muddy Waters’ ‘She’s Into Something’, is infused with an infectious, rolling Rumba

    beat. The combination of mournful steel guitar and harmonica on Muddy Waters’
    ‘I Feel Like Goin' Home’, is as suitably downbeat as it is satisfying.

    The simplicity of emotion in Peggy Lee’s ‘Fever’, is enticingly drawn upon, as BLP’s

    almost fragile soaring vocal splendidly entwines with the emotive snaking harmonica.

    Blind Lemon Jefferson’s 1927 ‘I Know You Rider’, also recorded by The Mississippi
    Sheiks, possesses a breathless, urgently paced harmonica and pumping percussion,

    all the while BLP wails away.

    The melancholy, painfully delivered harmonica on the slowly swinging ‘You, Can't
    Get There From Here’, delivers a mournful tale of hurt, woe and sadness.


    Tommy Johnson’s 1928 ‘Big Road Blues’, and ‘Railroad Mama’, are both brightly,
    rolling stompers with an enticing mixture of wailing harmonica and crisply stinging

    guitar.

    Willie Dixon's ‘The Red Rooster’ is as wonderfully sharp, stark and drawling as the
    original.


    ‘Junkyard Dog’ is actually and quite literally, a Howling success.

    Highly recommended!

    Brian Harman
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