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Hank Williams.

    ‘So Sweet’ mixes that 50s Chess blues sound with some odd little tweeks – distorted
    guitar and cheesy Farfisa organ - and ‘This Work’ is a relaxed 50s-style rock and
    roll ballad.  ‘Never Love Again - Upbeat’ is a reworking of the opening track with
    a more electric sound and distorted harp, ‘When You Go to Sleep’ is a nice slow
    blues and the Sonny Boy Williamson (II)-style ‘Blues Jumps In’ closes the album
    with  just  Dave’s  harp  and  voice.    As  a  big  fan  of  Howlin’  Wolf  (and  Sonny  Boy
    Williamson (II) and Tom Waits) I really liked this record, it’s not easy to replicate
    the sound of Wolf but they do it beautifully – both Big Dave with his characterful
    vocals and harp playing and also the band with their very authentic playing, especially
    Roel Spanjers’ keyboards.  Also, this isn’t just aping that 50s blues sound, they do
    put their own spin on things with that off-the-wall Tom Waits-style vibe.

    Graham Harrison







                                                Emma Wilson—A Spoonful of Willie Dixon—
                                                Emma Wilson Music  ASIN :B0F491HXXT

                                                Middlesbrough’s Emma Wilson’s last album 2023’s
                                                ‘Memphis Calling’ included Willie Dixon’s ‘Hoochie
                                                Coochie Mama (Man)’ which made her want to sing

                                                more of his songs resulting in this EP/album.  We
                                                begin  with  ‘Spoonful’  which  falls  between  the
                                                versions by Howlin’ Wolf and Cream with Emma’s
                                                strong, confident vocals and the excellent band of
                                                Bennet  Holland  (keyboards),  Nick  Svark  (guitar),
                                                Ian Leese (bass) and Mark Barret (drums).

                                                ‘Good to the Last Drop’ is a rocking song I didn’t

    know but Emma delivers it wonderfully, ditto ‘I Can’t Quit You Baby’ as recorded
    by Otis Rush and with great organ and guitar here.  ‘Wang Dang Doodle’ follows
    the classic Koko Taylor version and the swinging ‘I Want to Be Loved’ makes you
    forget  the  original  Muddy  Waters’  version,  while  the  closer  ‘It  Don't  Make  Sense
    (You Can’t Make Peace)’ isn’t a typical Dixon song but Emma and the band do it
    proud with a very sensitive version.

    This  is  an  excellent  piece  of  work  from  both  Emma,  whose  vocals  are  first  class
    throughout, and also the band who support her wonderfully – we’ve heard many

    takes  on  these  songs  over  the  years  but  Emma  and  the  band  manage  to  put  an
    original spin on them and also make you realise what a great songwriter Mr. Dixon
    was.

    Graham Harrison
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