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assets—or the applications   NewTek showed
          artists use to build them.   off LightWave 11.5,
          Autodesk, Pixologic,   the latest version of its
          NewTek, and other   workhorse 3D modeling
          developers were on hand at   and animation suite.
          Siggraph 2012 to show their   This release introduces
          newest wares.       Genoma, a modular rigging
            Autodesk’s 2013   system built into Modeler
          Entertainment Suite (3ds   that lets artists quickly
          Max, Maya, SoftImage,   rig biped or quadruped
          Mudbox, Motionbuilder,   models, and includes
          and SketchBook Designer   several preset rigs for
          Pro) should be intimately   common parts like spines,
          familiar to any reader of   arms, legs, and even                                        octane render.
          Game Developer. Beyond   wings. Also, LightWave’s
          the usual application-  core modeling toolset has
          specific incremental   been catching up to its               emerging trends and products
          updates, the overall   competitors with new tools
          theme is improved   like Edit Edges, Thicken,   Cl oud rend eri n g:  Cloud rendering is a growing trend for smaller development houses that do
          interoperability between   and UV Unwrap, and its   not have their own data centers or render farms, and we saw plenty of them on the show floor, including
                                                   Keyshot (www.luxion.com), Fox Renderfarm (www.foxrenderfarm.com), XL render (www.xlrender.com),
          Autodesk products and   animation and special   and Rendercloud (www.scalar.ca/rendercloud).
          external applications. For   effects features have
          example, Maya features   added a new specialized   o ptis Ma terial  s C anner ( o M s 2):  The OMS2 (www.optis-world.com/products/
                                                   hardware/OMS2.html ) is a handheld device that essentially lets you scan textures into your CAD
          native support for Alembic,   particle system called   application, which could be handy for artists looking to make their materials and textures more realistic.
          making it easier to transfer   Flocking, which simulates   The OMS2’s sensor picks up surface and light information and dumps it to your laptop so you can quickly
          scene and animation data   more organic-looking flock   work with your new material. You can also pair the OMS2 with Theia-RT, Optis’s real-time raytracer, to scan
          between applications;   movement, and improved   real-world objects and update Theia-RT immediately.
          Media Sync in 3Ds Max   soft-body bullet dynamics.   p a th tra C i n g:  Jules Erbach showed two interesting tech demos that aren’t quite ready for prime
          can transfer scene and   NewTek also spotlighted   time yet: OTOY’s Path Tracing renderer, called Octane Render (http://render.otoy.com), and a real-time
                                                   path tracing tech demo called Brigade. Octane Render is a path-tracing renderer that is so fast that
          animation data to and   LightWave’s Virtual Studio   users can change their material settings and receive near-instant feedback. Brigade (http://igad.nhtv.
          from Adobe After Effects;   Tools, which provide artists   nl/~bikker) is a research project attempting to provide a real-time path-tracing solution. Brigade’s path-
          Mudbox’s compatibility  with real-time performance   tracing implementation tracing uses both the GPU and CPU, and balances the use of both depending on
          with  Adobe  Photoshop  capture for virtual cameras   the time to render each frame. The renderer can support an unlimited number of light sources.
          continues to improve the   and lights and character   Z- s p a C e :  Z-Space (http://zspace.com) is a 3D-viewing station that features a 24-inch passive
          process of exchanging paint   puppeteering via game   stereoscopic 3D display fixed with tracing sensors. With a pair of polarized 3D glasses and the included
                                                   stylus, you can use the display to view and manipulate objects in 3D. This wasn’t the only 3D-viewing
          layers and data between the   controllers. For example, a   system shown on the convention floor, but it was certainly one of the most impressive systems, and we
          two applications.   development team could   can expect to see many more 3D systems appearing in future shows. — Carey Chico
            Pixologic’s ZBrush 4R4   move through and interact
          was released a few weeks   with a game level inside   Digitizing
          before Siggraph, and the   LightWave to work out   tablets    Also, Wacom has   Having worked on all platforms,
          hot topic at the booth   animation and design.              discontinued its popular   from PC to console to mobile,
          was the new QRemesher   Lightbrush ($1,500) is     Wacom’s booth was   Cintiq 20UX model in favor   he has carefully nurtured his
          Alpha, which automatically   an intriguing new shadow   constantly crowded with   of the new Cintiq 22HD,   talents toexpand his skill sets
          retopologizes  any  mesh,   and lighting manipulation   attendees waiting to try out   which features a high-  driving products and managing
          and the QRemesher Guide   tool by Tandent Vision   Wacom’s latest line of Cintiq   definition, widescreen   studios from  creative,
          Brush, which lets artists   Science that was recently   drawing tablets. The main   LCD panel that is brighter   production, and business
          direct polygon and edge   released for the Mac (http://  attraction was Wacom’s   and has higher contrast   mindsets. He has always
          flow for cleaner, more   tandent.com/lightbrush.  new flagship panel, the   levels than the 20UX,   been an active member of the
          predictable quad meshes.   html). In the demo, Tandent   Cintiq 24HD Touch, which   and a stylus built on the   industry at-large, formerly as a
          Also new to version 4R4 is   representatives showed   lets the artist directly   Intuos 4’s design, with   GDC Advisory Board member, a
          the Virtual Machine, which   how artists looking to use   manipulate documents   2,048 pressure levels   freelance writer for Gamasutra
          lets the artist look through   photos as sources for   and content with hand   and 60 degrees of tilt   and Game Developer magazine,
          thousands of undos to   textures could take a photo   gestures, so you can rotate,   sensitivity. Unlike the   and a frequent speaker at
          review a model’s history   of a brick wall that had tree   move, and scale with one   much larger Cintiq 24HD   industry trade shows and
          over time, and the new   shadows splayed all over   hand while holding your   (see our review in the   events.
          Curve engine, which works   the surface, use Lightbrush   pen in the other. It does   September 2012 issue
          with  various  brushes  to indicate an area of diffuse   take a little getting used   of Game Developer) the   Mike de la Flor is a freelance
          (such as the Insert Multi   color and an area of shadow,   to, and right now it’s only   22HD retains the standard   medical illustrator, animator,
          Mesh brush or Tube brush)   and let Lightbrush separate   supported in Corel Painter   popular Cintiq stand.    instructor and writer. He’s the
          to help you lay down   the shadows out into a   and a handful of Autodesk       author of The Digital Biomedical
          complicated organic or   separate layer. A Windows   productions, but we think   Carey ChiCo is a 16-year   Illustration Handbook and other
          mechanical details.  version is in the works.   it’ll catch on quickly.  veteran of the game industry.   CG books.

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