Page 25 - Fuse Magazine - Volume 41 2018
P. 25

s      K      I     L      L      s


                            STEP bY STEP STuDIO LIgHTINg bASIcS





                                                                                                  4



                                                                               experiment with exposure
                                                                                 In manual mode, set the Iso to 100, the
                                                                               aperture to f/8 and the shutter speed to the
                                                                               fastest flash sync speed (usually 1/200 sec).
                                                                                Take a test shot. If it’s too light, either lower
                                                                                the flash power, increase the f-number or
                                                                                move the light further away. If it’s too dark,
                                                                                            do the opposite.












                            5


                strike a balance

            With two lights, it’s all about the ratio
         between them. Turn on one light – we used a
        softbox from above – and expose for it. This is
         your key light. Now turn it off and turn on the
          other light – an umbrella from below, here.
          aim for one or two stops of underexposure.
                    This is your fill light.












                                                                                                  6


                                                                                    blow the hiGhliGhts
                                                                              We can get a fresh high-key look with just two
                                                                               lights. here one softbox lights the face, while
                                                                               an umbrella is angled at the background. The
                                                                                umbrella is fired at a higher power than the
                                                                               softbox, so it blows out the backdrop. a little
                                                                               reflected light creates a nice highlight along
                                                                                               the cheek.

                                                                                            Quick tip

                                                                                For close-ups like our main shot, bring your
                                                                                  lights in tight so they’re just outside the
                                                                                frame. This increases their size in relation to
                                                                                    the face, and fills out the shadows.
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