Page 8 - St. Joseph Messenger October 2020
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on a long string which was known as a paternoster      This objection, however, is based on a Protestant
          (Latin for “Our Father”). In English these little      version of the Bible.
          pebbles were called “beads,” which was another
          word for prayers.                                      The King James Version, which was published in
                                                                 A.D. 1611, changes Matthew 6:7 to say that we
          Throughout the Middle Ages the paternoster was         should “use not vain repetitions” in our prayers.
          used in varying forms, and finally evolved into        King James I of England set up his own Biblical
          what we know today as our Rosary devotions.            commission to write its own version of the Bible,
                                                                 removing or changing the passages of Scripture
          The Evolution of the Rosary                            which did not suit the new teachings and practices
          The first man to write about the devotion of the       of the Church of England. In this case they
          Rosary was a Dominican priest named Brabantinus        changed Matthew 6:7 in order to suppress the
          who studied under St. Albert the Great, He is          traditional Catholic custom of meditative prayer.
          credited with naming the Rosary as such. During
                         th
          his time, the 13  century, the Latin word rosarium     Later King James also prohibited devotional items
          was known to mean a compilation of devotions,          from being imported. Many Catholics, however,
          and to Brabantinus the prayers of the Rosary           continued to smuggle in rosaries, crosses, psalters,
          seemed like a crown of spiritual roses that were       and other Catholic devotional items.
          presented to the Blessed Virgin. Roses have long
          been associated with Mary.                             The true meaning of Matthew 6:7 is “don’t talk a
                                                                 lot; don’t run off at the mouth; don’t rattle on like
          Another Dominican, Alan de Rupe, who lived in          the pagans do.” This is much different from saying
                th
          the 15  century, is credited with establishing the     “do not repeat your prayers.” Matthew 6:7 is simp-
          standard form of the Rosary prayers that we use        ly a warning against confusing quantity with quali-
          today. He spent years studying the history of          ty. The repetition of prayers, as practiced with the
          Rosary devotions, which took different forms in        Rosary devotions, is the finest way to develop the
          different localities throughout Europe, and formal-    skill of Christian mental prayer. SJM
          ized them for the whole Church. He also related in
          his writings the tradition that Mary appeared to St.
          Dominic, the founder of his order, showing him a
          Rosary in this form, telling him how to pray it, and
          that graces would flow from faithful devotion to
          the Rosary.

          Objections to the Rosary
          Catholics sometimes hear various objections to the
          repetitious aspect of the Rosary, but the point of
          repeating the vocal prayers of the Rosary is not
          simply to tally up a huge number of prayers. This
          is what sets Christian prayer apart from many of
          the Eastern religious traditions of prayer which                  Madonna of the Rosary,1841
          require the repetition of mantras in order to clear                    Tommaso Minardi
          the mind. But some object to the repetition of                           Oil on canvas
          Christian prayers because they think that Matthew             Galleria Nazionale d'Arte Moderna e
          6:7 instructs that we should not repeat prayers.                     Contemporanea, Rome





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