Page 6 - My FlipBook 1
P. 6

2 0  L I V E S ,                                   I’M NOT SCARED of anything. I’m   WE WATCH TV, we talk a lot, she
                                  THE CUSTODIAN
      2 0  P E R S P E C T I V E S                           brave. It takes a lot of courage to do   cooks for me. She’ll be like, How’s it
                                  EUGENIO MESA
                                                             things that you’re not normally doing.  going? Is everything okay? I tell her
                                  ENVIRONMENTAL-SERVICES                                everything is fine, everything is cool,
       W H A T                    WORKER, NEWYORK-           WHILE THE PATIENT is there in   everything is good. She cooks my
                                  PRESBYTERIAN MORGAN STANLEY
                                                             the room, we try to move as quietly
                                  CHILDREN’S HOSPITAL        as we can. We’re not trying to wake    meal every day, so I’m very happy.
                                  New York City
       W E ’ R E                                             them up, because they’re trying to   I FEEL GOOD. Not just because they
                                  I’M FROM THE neighborhood, so   recover. They’re not trying to hear   require me to do what I have to do.
                                  I live about two minutes from the   anything they don’t want to hear.  I’m doing this out of love. I want to
       LEARNING                   work site. I’d been applying to this   IT’S SAD. Just working in the hospi-  see everything go back to normal. I
                                  hospital for years. I went to the   tal normally is sad.  want to be able to contribute to it.
                                  interview—it was on my birthday.    I WAS BORN  in the Dominican   I MISS SPORTS. I’m a baseball player.
                                  I got my job.              Republic. I came here when I was   ONE DAY I could be able to tell my
                                  WE WERE CALLED into the office   about eight years old, in 2000. This   kids like, Yeah, I was in this. I was
                                  by our supervisor. It was a Saturday   August is gonna be my twentieth   helping out, making sure that these
             F R O M   T H E      morning. They call me by my last   year in the United States. I already   rooms were clean and that [doctors
                                  name. “Hey, Mesa, can I speak to   have twenty years here.  and nurses] had a clean environment
             V I R U S  T H A T   you?” In my mind I’m thinking, Am   I WOULD NOT like to see somebody   so they could work. And I could con-
                                  I in trouble? She was like, “I’m not   else get sick just because I’m in  sider myself part of the team.
             C H A N G E D        sure how comfortable you feel about   the middle of this. That’s just my     IF SOMEBODY’S GOING through a
                                  going inside each room with  biggest fear. I take care of myself   tough time, I want to put a smile on
             E V E R Y T H I N G  COVID-19. Can you go in if I asked   before I’m able to interact with oth-  your face. I’m that person that you
                                  you to?” And I said, “Of course.” I   ers at home, because I live with my   can count on. —As told to Brady
                                  didn’t hesitate.           mom and my brother.        Langmann
       Turn to page 54 for the
       other nineteen perspec-
       tives that constitute “What
       We’re Learning,” a collec-
       tion of first-person accounts
       of  humanity’s  stand
       against  the coronavirus.








































       Mesa was photographed as part of a portfolio on the frontline workers of the NewYork-Presbyterian hospital network, taken at the height of the COVID-19 outbreak in New York.
       Seventeen people participated in the project; their portraits, by Benedict Evans, ran across several Hearst magazines.

       4                                                                                PHOTOGRAPHS BY BENEDICT EVANS
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