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104      Chapter 6: Real-World Writing


                                 Filmmaking and Screenwriting



                                 In the age of the Common Core State Standards, teachers are asking stu -
                                 dents to “mine the text for details, ideas, and deeper meanings” (Fisher &
                                 Frey, 2014). Just as print text is layered with words, images, inferences, and
                                 evidence, so is film. If students are to develop deep understanding of texts,
                                 teachers need to model close reading skills to film too. In my media literacy
                                 course for seventh and eighth graders, we focus on visual literacy and watch
                                 many films together, reading and viewing them closely like any written text.
                                 Along with studying these models, writing and creating films is a big part of
                                 student work.

                                 When watching a film, students should view for content analysis and under -
                                 standing, but also to understand the filmmaker’s point of view and purpose.
                                 In class, we discuss and examine the types of shots, match-on-match transi -
                                 tions, diegetic sound (any sound that originates in the film), and nondiegetic
                                 sound (sound that doesn’t originate in the film but is added during the edit -
                                 ing process, such as sound effects, narration, or musical score). We look at
                                 the use of music, color, and homages to other films and directors. Students
                                 learn about film tropes and characterization. The Jacob Burns Film Center
                                 (JBFC) provides a Visual Glossary on its website with terminology relating to
                                 film and media, offering not only definitions but also film clips to illustrate
                                 the concepts. By learning these terms, applying them to the creation pro -
                                 cess, and naming the movies that they are making, students not only build
                                 disciplinary vocabulary but also their sense of possibility expands. When
                                 analyzing film or creating a media text, we want students to understand that
                                 a filmmaker makes deliberate choices to convey a message or emotion the
                                 way an author selects specific words to convey meaning. This element relates
                                 to craft and structure as identified in the Common Core State Standards.




















                 Excerpted from Chapter 6, “Real-World Writing: Writing Skills to Succeed Beyond School.”



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