Page 35 - MILK - TRANSLATION - MICHAEL (1)-converted

storeys of super-modern square and where the entire ground floor consists of a

meter-high glass facade. Part It all appears large, modern and impressive and
forms a perfect interplay with the huge beautifully designed: Propylene gate - or

in everyday speech: the Triumph arch, which sits at one end of the square.

Gustav looks curious and interested as they slowly move through the beautiful
art galleries until they reach the Joseph Boys exhibition Casually he asks “Who

was Joseph Boys really? I know him only superficially, the era of the time he

worked in has never really told me anything " "He was an art professor and
artist, but now see some of his stuff before you get to know too much about his

motives and background" She answers. "It's an impressive museum, basically
strange I've never been inside and seen it before" Their steps resonate as they

walk through the permanent exhibit to the rooms that house the large Joseph

Boys exhibit set up as a separate exhibit. They continue in silence through the
Joseph exhibition it is a rule they have that when they look at or assess they do

not speak. But goes silent from one work of art to another at one of the last

works before the exhibition ends. The artwork depicts a series of black-and-
white photographs. The artist himself has a kind of sack or large canvas over him

as well as a stick in his hand and an ass trying to pull canvases of the artist by
biting into the large piece of cloth that partially hides his head and body the

gloomy work is called: Locked in with a coyote.

"Do you believe in spells or have you ever heard of them?"
"Spells - what do you mean?" She looks at him in surprise. In that

moment, his phone rings and he picks up.

"Gustav here." He says softly and turns discreetly away from her.
"Hello, Mr Kräsen, you are talking to Crime Commissioner Shultz."

“Commissioner Shultz," he replies in a low voice and with a surprised look

on his face.
"I have terrible news for them, it was your secretary who gave me your

private number, because of the urgency," says Schultz.

"It's okay. How can I help you?"
"I have to go straight to the point, Sir," says the out-of-breath

commissioner.