Page 8 - cn - Belvoir- Studio en plein air curated June 2023
P. 8

The focused room setting within this  particular part of the private sitting room forms a unique composition
                                           that relates not only the associative elements of what is an intimate family space, but also captures the expanse
                                           of the outer parkland beyond the terrace glimpsed through the open French door.
                                           The painting can be interpreted as an allegorical portrayal of Emma the present Duchess and Her Grace’s role
                                           and journey as Chatelaine.
                                           The near table stacked with family photo albums and framed photographs placed on the piano represents Her
                                           Grace’s family history. A statement of homeliness and care for the special ambiance is made by the placement
                                           of the table flower arrangement.

                                           The piano alludes to Her Grace’s life when studying music and  training to be an opera singer. The piano stool is
                                           set askew without any particular direction. This symbolic element represents the pull of family commitment and
                                           position, as the piano stool forms a central point in the painting and could be interpreted as a visual metaphor for
                                           the life as Chatelaine in running the estate.
                                           For Her Grace a great source of inspiration has been the life of Elizabeth 5th Duchess who created the present
                                           castle through her vision and determination. This is depicted and caught  by the reflected painting of  Elizabeth
                                           riding her grey mare on the estate with the castle and lakes beyond. The majority of the painting was painted in
                                           the early 1820’s, during her lifetime, by George Sanders. After her death the artist returned and added the castle
                                           as well as the lakes which had been completed by 1824. The inclusion of the painting’s reflection corresponds
                                           with the present time with the contrasting contra-view through the French doors to outstretching parkland and
                                           estate. One scene is the mirror positioning of the other, and a marker of the continuation of the Manners line.








                                                                                                                            ‘The Private Drawing Room’
                                                                                                                             ‘En plein air’,
                                                                                                                           Oil on Panel:  20 x 24 inches
                                                                                                                           Selling price £ 8,700 plus vat

                                                                                                                           Less 40% studio price £ 5,220 plus vat
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