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‘Christos-Sophia The Divine Ministry - The Mission of Christ’.

Alter Realism

The sequence of events follow the idea of continuous narrative wherein the notion of quantum field of
space-time relates.

Jesus being baptised by John the Baptist marks the outward sign of Christ’s ministry; the Holy Spirit affirms
this act.

At the garden of Gethsemane the agony of the dual states of being; human and divine, freewill and
the relinquishing of freewill to God.

The realisation in human terms of what is pre-ordained.

The juxtaposition of the appearance of an angel, the chalice and vision of the disposition of the body of Jesus

allude to the prayer by Jesus.

The angel’s visitation to ask for the mission to carry out the Divine will of God. In her left hand she holds a
chalice and in her right hand a cross. The relief figure is taken from the ceiling decoration within the Cabinet
of the Apoxyomenos, which is part of the Pio-Clementine rooms.

The figure of Christ is taken from the painting by ‘Cerchia di Antonio Allegri detto il Correggio’
‘The prayer of Christ in the Garden of Gethsemane’ painted circa 1524-1530.

The scene of the disposition of Christ is referenced from the painting by Vincenzo Irolli {1860—1949}

painted in 1936 and held in the Contemporary Collection.

The angel on the extreme right refers to the question posed to those seeking Christ’s body, ‘who are you
looking for ?.’ The background scene is taken from the Pontifical Gardens at Castle Gandolfo.