Page 52 - SOUTHERN OREGON MAGAZINE FALL 2019
P. 52

neck of the woods | theatre



             State University, he earned a degree in   Since returning, Young and Laube have become
             theater in 1989. While in college, Young   regulars, part of the community. "Part of this is
             was designated a "special performer"   the connective quality. I get to know audience
             and given roles in King John and Henry   members. They become our friends. They see
             VIII on a paid-per-show basis. "But," he   us downtown buying tomatoes at the co-op.
        explains, "I was in the door. It was my first   This is happening," he says of life in the Rogue
        professional job."                     Valley, "and I'm a part of it."

        After graduating from SOSU, he was off to   Young is part of the community, and has
        the American Repertory Theater Institute at   played  many parts in the  Elizabethan and
        Harvard University, where he added "extra   adjacent Thomas and Bowmer theaters. His
        polish" by being in 22 shows over a two-  favorites include On the Razzle, Cyrano, Cat
        year period. "I had in mind I wanted to be   on a Hot Tin Roof, Language Archive and, of
        a Shakespearean actor and do a play in every   course, Shakespeare plays such as Much Ado
        state. That was my romantic notion."   About Nothing, Twelfth Night, Winter's Tale
                                               and 2019's As You Like It, where he was a very
        While he didn't achieve that goal, Young spent   comic, very touching Touchstone. Or, as he
        a dozen years in New York City, and recalls   tells, "It was the kind of play I could be loose
        "eating humble pie" the  first two years.   in—I also follow impulses."
        He worked at theaters around the country,
        his travels taking him to Utah, Kentucky,   Young has frequently been cast in comic roles,
        Virginia, Indiana, Wisconsin and other states   something he enjoys. "My career revealed to
        and landed roles in television and movies.  me that I'm more of a character actor. Clowns,
                                               they have something to say. I like the classics
        It was at the Milwaukee Repertory Theater in   and the heightened plays. Richard II is still one
        1995 that he met an actress, Miriam Laube.   of my favorite plays. Shakespeare manipulates
        They married a year later, and Laube was   the audience—the beauty of his language, his
        offered roles at the Festival in Ashland. They   storytelling. He gives us the words of joy, for
        moved to  Ashland, with Young also getting   grief, for emotional things in our life."
        roles. When they weren't asked back for 1997,
        the couple returned to their Queens apartment   In 2020, Young will return for his 21st season
        in New York. In 2005, OSF again recruited   with roles in a world premiere of  The Copper
        Laube, and both had contracts in 2006.  Children and  Bernhardt/Hamlet, the  latter
                                               described by the New York Times as "breakneck,
        "So I've been  coming to this valley all  my   backstage comedy."
        life, I came  back having cut the umbilical
        cord," Young says, reflecting on his Ashland   He's  excited  about ongoing changes with
        ties while relaxing in his Elizabethan Theatre   the Festival. Bill Rauch, the Festival's artistic
        seat. "Being away, having to do other jobs and   director has moved on, and Natika Garrett,
        eventually getting a foothold. I don't think I   who directed How to Catch Creation in 2019, is
        would be a professional actor if I hadn't been   taking charge for the upcoming season. What
        asked  back here," he  adds, explaining he   won't change is his affection for Ashland, the
        had been exploring other, more stable jobs.   Festival, the Elizabethan Theatre.
        When they lived in New York, he and Laube
        were apart while traveling to distant theaters.   "I like doing one show a year here," he says
        "Most places you go for six or eight weeks.   of performing in the Elizabethan Theatre, the
        We were getting tired of being apart, so the   stage where he'll perform in Bernhardt/Hamlet,
        opportunity of being in a community together   which opens in June.
        was something we just couldn't pass up. I
        wanted to come back here  because  I  knew   "This place, this theater in particular, really
        what it was, what Ashland is." Returning to   shaped my aesthetic. It shaped my life.
        Ashland  wasn't  something he'd anticipated
        when he was younger. "When I was a kid I   This theater, right here," Young says, "is a
        couldn't wait to get out of here, actually," he   part of me."
        says, laughing.



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