Page 63 - Southern Oregon Magazine Fall 2021
P. 63

TOM GLASSMAN



                                                                                               photographer






                                                                                              ormer creative director turned fine
                                                                                              art photographer,  Tom Glassman
                                                                                              credits his wife Linda with encourag-
                                                                                        Fing him to pursue his love of photog-
                                                                                        raphy. Glassman  says,  “Whenever possible,
                                                                                        my primary goal is to try and take a photo-
                                                                                        graph  that doesn’t look  like a  photograph.
                                                                                        This might  entail  anything from  recording
                                                                                        unusual reflections or abstract lines and pat-
                                                                                        terns to juxtaposing unusual colors or shapes
                                                                                        to creating compositions with extreme nega-
                                                                                        tive space. I also try to create unusual or fun
                                                                                        images by positioning the camera to photo-
                                                                                        graph found objects or distinct background/
                                                                                        foreground layers in close  proximity that
                                                                                        aren’t typically seen together.”

                                                                                        Glassman’s images are composed in camera,
                                                                                        with no post processing involved other than
                                                                                        initial color correction. He does help capture
                                                                                        the intense colors by using a polarizer filter
                                                                                        and saturated films. Otherwise, everything is
                                                                                        done in the camera. And although the images
                                                                                        you see here were produced with a computer
                                                                                        and a professional graphics printer, none of
                                                                                        the images were manipulated with computer
                                                                                        imaging software.
















                                                                                        As many people comment on Tom’s brilliant
                                                                                        colors, unusual graphic patterns, and strik-
                                                                                        ing minimalist approach, it is worth noting
                                                                                        that “…what you see is what was really there
                                                                                        and what I saw when I took the photograph.”

                                                                                        Tom’s work has shown in galleries and
                                                                                        exhibits in Boston, MA, Portland  and
                                                                                        Kennebunkport, ME, Seattle and Kirkland,
                                                                                        Washington, California, New Orleans, and






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