Page 66 - Southern Oregon Magazine Fall 2021
P. 66

neck of the woods | theatre
      t he g   o  o d l if e     |       ar  t



                             SAYAKA GANZ RECLAIMED CREATIONS

                                     bringing harmony out of seeming chaos


                                     lynn leissler         provided by grants pass museum of art


































                                            GRANTS PASS MUSEUM OF ART FALL EXHIBIT
                                                    OCTOBER 29 – DECEMBER 18


                     e too often despair at the sight of plastic litter on the   things, and friends give her objects or direct her to garage sales. Her
                     street, in the forest, at the beach. Artist Sayaka Ganz,   sculptures are mostly monochromatic, and include found plastic items,
                     however, doesn’t merely lament. She sculpts exqui-  wire, cable ties, and hardware.
        Wsite creations from such discards.  “If  we value our
        resources, we will waste less,” she says. “I want to convey the message   Ganz sees her work as bringing harmony out of situations appearing
        about the environment in a fun and inspiring way.”         chaotic. “When observing my sculptures up close, one might see gaps,
                                                                   holes, and items being held only by small points; step away, however,
        Sayaka Ganz Reclaimed Creations has appeared in museums in a dozen   and the sculptures reveal the harmony created when the objects are
        states across the country. We in Southern Oregon will have the oppor-  aligned to the same general (but not identical) direction.” Such perspec-
        tunity to view her work at the Grants Pass Museum of Art this fall,   tive is also gained by stepping back to view a large painting. She believes
        from October 29 – December 18. Hyla Lipson, Executive Director,   that in an era when people are often distanced from the natural world,
        feels privileged to showcase an exhibit of this caliber with the help of   artists have opportunity to either introduce or re-introduce them to
        The Miller Foundation, The Autzen Foundation, and The Pacific Corps   that world.
        Foundation. Due to the size of many of the pieces, the exhibit will arrive
        in pieces with videos on how to assemble. One piece weighs over 200   Museums and art galleries should be available to everyone, to follow
        pounds, and many will be cabled from the ceiling.          guidelines of diversity, equity, and inclusion. Hyla feels the environment
                                                                   needs a place at the table as well. “It all started because we wanted to
        Growing up with Shinto beliefs that all things have spirits, Ganz feels   have an exhibit with things that shouldn’t go in the ocean or the dump,”
        sadness when she sees discarded items, whether on the streets or on a   she says. To that end, she looks forward to children coming with families
        thrift store shelf. Using mostly common plastic household items with   or on field trips and seeing the value of not throwing something away.
        their variety of form and color, she creates dynamic animal forms that   Children will be offered coloring sheets and a picture-coded scavenger
        have a sense of movement. “I manipulate and assemble them together as   hunt. Adults will also have a scavenger hunt sheet, but with words as
        brush strokes to create an effect similar to a Van Gogh painting in three   clues. She plans to contact local garbage companies and ask them to
        dimensions.” She achieves what she calls 3D impressionism. She collects   make recycling brochures available.
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