Page 50 - Southern Oregon Magazine Winter 2020
P. 50

neck of the woods | community


              BLACK, WHITE, & THE BLUES


                   A Fundraiser for the Arts



                                by morgan watkins
                             by timothy bullard

            he city of Grants Pass may be small, but its booming art community
        Tis larger than life. The town boasts a bounty of galleries and art muse-
        ums, with the Grants Pass Museum of Art being among the most notable
        in the area. Local artists are represented in the quaint museum, which has
        showcased an eclectic slew of dreamy landscapes, moody abstract paint-
        ings, and intimate portraits since it was founded in 1979.

        The museum is dedicated to engaging with its community, hosting a vari-
        ety of events centered around the arts, including this year’s Black, White,
        & the Blues fundraising dinner. Since  1988, the gala  has continuously
        proven to be the soirée of the year for the arts community. Dancing, din-
        ner, and live music have drawn visitors time and time again, as tickets
        almost always sell out. It’s the museum’s main fundraiser, and all proceeds
        will be directly funnelled into the museum.

        This year, four incredible artists will be performing live demonstrations
        during dinnertime, and gala goers will be able to see them create stunning
        artwork with their own unique processes.

        Returning for her third Black, White, & the Blues gala in a row, potter
        Susan Paul Williams has been throwing pots since she was just 11 years
        old. “I love making bowls, vases, mugs, and teapots—things we use eve-
        ryday,” says Susan. From the Bay Area, Susan and her photographer hus-
        band Michael have always been deeply immersed in the arts community.
        “Basically, we both started creating when we were 11 or 12. We both found
        something we loved, and we didn’t really think it was something we were
        going to do for life.”  The couple worked in tandem to run a successful art
        gallery in the Bay Area, called Albany Arts Gallery, and both have educated
        students of all ages on their crafts.

        They moved to Grants Pass eight years ago, after Michael’s health started
        to decline due to Parkinson’s disease. Since then, Susan has kept herself
        busy both behind the kiln and beyond it, performing live demos in front
        of Gallery One during First Fridays in August, having her pottery featured
        at the gallery, and running her and her husband’s business, Williams Image
        LLC, where they showcase and sell her pottery and his photography.

        Michigan native turned local muralist superstar, Bob Eding, will be mak-
        ing his second appearance at the museum’s fundraising dinner, with plans
        to put his painting skills to the test.

        Eding is a jack of all trades, dabbling in chainsaw carving, sculpture, mural   David Pinsky, left, and Phil Newton were framed
        art, architectural design, and painting, with watercolor being his favorite   by  “Land of Enchantment” by Cate Battles as they
        medium. He has also contributed to the creation of around 25 bear sculp-  performed Americana and rhythm and blues before
        tures, which glitter in their fibreglass glory along the streets of Grants   the main auction began at the Black, White & The
        Pass. “I get bored doing the same thing repetitively,” says Eding.  Blues Art Auction in 2018.   The annual event
                                                                           benef itted the Grants Pass Museum of Art with
                                                                           about 60 local artists donating works in both the
                                                                           silent and main auction.
    48   www.southernoregonmagazine.com | winter 2020
   45   46   47   48   49   50   51   52   53   54   55