Page 15 - Dream of Italy - December 2021/January 2022

SAVE
Mercury and the Three
Graces by Tintoretto,
sponsored by
Adelina Wong Ettelson
MATTEO DE FINA

VENICE

50 Years of Art Conservation

hough a beloved city of art, Venice has always been in a

T precarious position when it comes to preserving that art. The
city simultaneously suffers from the fate of being built as a series

of islands on an oceanic lagoon and bears the effects of flooding,

humidity and saltwater that threaten precious art and architecture.

With so many masterpieces, and so much constant main- In the aftermath, experienced art restorers came from
tenance needed, conservationists have their work cut out Florence—which also had its own epic flood in November
for them in La Serenissima. For the past 50 years, conser- 1966—to help clean up Venice. Those restorers formed
vation organization Save Venice has stepped up to answer conservation committees that eventually became Save
the call. Venice in 1971.
Though Venice floods seasonally due to acqua alta “Our mission is to promote and
(high water), the water typically recedes within days, protect the artistic patrimony, so that
remains at a fairly low level (despite its name) and does can be restoring a building or painting
not cause much damage or disruption. However, the floods or sculpture, or promoting exhibitions, publications, works
can sometimes be catastrophic, the most infamous occur- of art, archives and fellowships for students who are
ring in November 1966, leaving the city under six feet of working on topics of Venetian art,” says Conn.
water and trapping residents in their homes for 24 hours.
“The floods of 1966 brought the world’s attention to Conservation Techniques
the fragile nature of the artistic patrimony here. There and Projects
was an appeal initially by UNESCO that anyone who’d Modern technology has led to advancements not only in
been inspired by Venice—art historians, musicians, the techniques of the restoration process, but also in the
writers or even tourists—should try to get together and methods used to examine art and determine its origins,
give something back,” says Melissa Conn, director of the conservation needs and history. Infrared photography and
Venice office of Save Venice. ultraviolet imaging help restorers see beneath the surface