Page 15 - Sahaja Sep_Oct_2020

IpXnch«w ]¸phnsâ Ipfqkv ]dóphoWv Ahsb dmôn¸d¡pó s]mòIÄ. Im«n\pÅnð s\bvtdmkv-äns\m¸w NqSpNmb R§Ä At§m«v sIev]nñm¯hÀ. AhcpsS Fñm Imcy§fpw t\m¡n \S¯pó (7) h\]meItcmsSm¸w Xpdó Po¸nemWv ImSnsâ ImgvNIÄ Im«nð CSbv¡v sNómbv¡fpsS ae\mSv. NnebnS§fnð Pe]mX§Ä ]mdIfnð¯«n
HmÀ½ hóp. NohoSpIfpsS \ne¡m¯ ioð¡mcw. hen¨p IpSn¨t¸mÄ bm{Xm£oWw Xncn¨p. Ipcnbmt¡mkvþtjÀfn Z¼XnIÄ. ]m«pw Ifnbpambn ImWm³ t]mIpóXv . th«bmSð Dïmhpw. AhbpsS ]XsªmgpIn Xmtg¡v ]Xn¡pt¼mÄ apIfnte¡v Dbcpó
amdn Dtòjw hoïpIn«n. AhnsS AhtcmsSm¸w Ipsd kabw sNehn«p. GXmbmepw D¨`£Ww \oeKncnbnsemcp khmcnKncnKncn! th« ckIcamWv. Häbv¡v tabpó PeioIc§Ä. Nnón¨nXdpó Pe[qa§fnð kqcy³
Npcw Ibdpt¼mÄ hgn \osf (2) abnem«¯nsâ irwKmc NmcpX!
tdmUnsâ Ccphi¯pw \nóv ]m«hbð, tZhÀtjme, apf¡q«§Ä¡nSbnð ChtcmsSm¸w Xsó. HSphnð AhtcmSv bm{X ]dbpt¼mÄ Gsd t\cambn HcmÄ “The pride of the peacock is the glory of God”. CcIsf Iïmð sNómbv¡q«w hncnbn¡pó k]vXhÀ®§Ä. ]pgsbmgp¡nsâ BÀ{Z
Ipc§pIfpsS hnIrXn¯c§Ä e¡nSn HcpIme¯v Gähpw IqSpXð ag e`n¡pó KqUñqÀ hgnbmWv bm{X. \oe Hcp `h\w. ap¸tXmfw NneÀ ssI Xcpóp. NneÀ sI«n¸nSn¡póp. \½psS I®pIfpw B\sb¯só t\m¡nbncn¡póp,- Ahsb hfbpw. ]Xp§n¸Xp§n Zriy§Ä¡v F{Xsb{X Imev]\nI `mh§Ä!
ImWmw. Øe§fnð cïmw Øm\¯mbncpóp. CómIs«, ImSpw aeIfpw \oe]q¡fpw! Cud\Wnbpóp. Rm³ AbmfpsS tNãIfpw! acs¡m¼pIÄ ]nSn¨v Ipep¡nbpw ]ñnfn¨p Im«nbpw ASps¯¯n Iq«t¯msS CcbpsS agbmbmð¸nsó Pe{]hml¯n\v BÀ¯ebv¡pó
IqSpw Im«p]qtômebpsS Ipfncpw FhnsSsbóv \oeKncnbpsS Ipfncnð Aenªp At´hmknIÄ. HSphnð AbmÄ F\n¡v ImWn¨p FXncmfnbpsS t\À¡v ]cm{Iaw ImWn¡pó l\pam³ tað NmSnhogpw. sNómb kz´w cu{Z`mhamWv. ImXS¸n¡pó Pemchw. \nebv¡m¯ I\¯
BImiw Xpdón« hnZqc \oena. tNcm\mbn kômcnIÄ (5) hmenð aq{Xsamgn¨v CcbpsS
IhntbmsSm¸w \½fpw Xncbpóp. XSmI Xocs¯ B{ia¯nð apXnÀó icochpw Xóp, AbmÄ At¸mÄ hc¨ Ipc§pIÄ.
Cu ae\mSgInsâ HgpInsb¯pó Imew . I®nð Xfn¡pw. AtXmsS I®v
]ïv Kpcp \nXyssNX\ybXn F¯n X§mdpïmbncpóp. sX¸¡mSv B\kwc£W tI{µw. B\bpsS Hcp at\mlc Nn{Xw!
BImchSnhpIsf XShnsb¯pó \oeKncnbnð P¡c´ ]q¡pw ]nôpIp«nIfpsS ImWmXmhpó Ccsb Ah ISn¨p
hrÝnI¡pfnÀ aªv. F{Xtbm {]Wb ie`§Ä cmK ZqXpambn AWbpó IpfnÀImew! Imeambncpóp. hgntbmc§fnð ]pgbnse \ocm«p Ignªv F¯pó IcnhocòmÀ¡v Iodpw.
BcWy\ncIfneqsS XSmI¡cbnse ]q¼mäIfpsS kwKaw at\mlcw. aps¼t§m \osf ]q¯pebpó P¡c´bpsS a\Êpambn Ipsd sImSp¡m³ ]eXcw [m\y§fpw iÀ¡cbpsams¡
aebmf¯nsâ Pe`mkpcamb AÛpXt¯msS hmbn¨dnª Hcp Imcyw HmÀ½bnð hóp. A]qÀh hiyX! PohnX§Ä. tNÀ¯v t]mjImlmcw X¿mdm¡nsh¡póp. ImSn\pÅnð kqcy³ sasñ
`q{]IrXnbpsS XmgpIbmWv. ]sïtóm Iï Hcp
‘_Zmw act¯mSv Rm³ ]dªp, kwkmctijn sjbvkv]nbÀ \mSI¯nse
almkuµcy¯nte¡v \½Ä apXpaebnse B\bq«v-.
ktlmZco ssZhs¯¡pdn¨v Ipd¨p t\cw amdn ]Xp§n \nótijw Ah³ hoïpw tdmUnð A´ycwKw HmÀ½bnð hóp.
F¯nt¨cpóp. {]IrXnbpsS Cu Cñm¯hÀ,
FtómSv kwkmcn¡pI. At¸mÄ _µv {]Jym]n¡pw! hnf¡pIÄ Hmtcmómbn AWªv
ImcpWys¯ \ap¡v ]ÝnaL«w
_Zmw acw ]q¯p’. Ikâ v ]cklmbanñmsX {]Imiw sasñ sasñ a§n.
Fóv hnfn¡mw. (4)
km¡oknsâ hm¡pIÄ HmÀ½ InfnIÄ Iq«t¯msS
h\¯n\pÅnð kzÑXbnð hóp: Zn\IrXy§Ä sN¿m³ IqSWbpt¼mÄ Im«nð
apgpInb ]qt¡mSv XSmIw ImWmw. {i²n¡pI! ko{_ t{Imkv Añ, Fen^â v t{Imkv! t]mepw Infns¡môepIÄ \ndbpóp...
Hcp sIm¨p Imsä§m³ hóp Ip«nbm\Isf kpc£nXambn \Sphnð \nÀ¯n tdmUpapdn¨v
h\hpw hm\hpw XSmI¯nð tImSaªnð Ic§Ä sImïv
t]mbmð IS¡pó B\¡pSpw_w...Ccp`mK¯p \nópw hcpó sIev]nñm¯hÀ.
I®mSn t\m¡póp. t\À¯ ]Ið kÔysb s\tômSv tNÀ¯v
hml\§Ä \nÀ¯nbn«p Im¯p \nóp.
Imäphoipt¼mÄ shůnð Xpcp Xpsc ]qagbmbn ]nsó. AhcpsS Fñm sI«n¸pWcpóp. tXmfnð apJw
ac§fpsS ]pjv-]hrãn. hml\¯nð \nóv ]pd¯nd§m³ ]mSnñm¯nS¯v, hgnbnð tNÀ¯v bm{X tNmZn¡póp!
hgn \osf ]qhncn¨v
CSbv¡nsS ao\pIÄ ]pfbpt¼mÄ arK§sf¡ïv Bthiw Ibdn t^mt«m FSp¡m³ Imcy§fpw t\m¡n
\oeKncnbpsS hcthð¸v! {ItaW ImSv cm{XnbpsS
s\mSnbnSbnð FhnsS \ntóm ]pd¯nd§nbmð ss^³ ]Xn\mbncw cq]. kq£n¡pI. \S¯pó
{]IrXn, AÛpX NcmNc tdmUnð IymadIÄ Øm]n¨n«pïv. bma§fnte¡v Dufnbn«p. ImSnsâ
(1) {]IrXn!! I¬\ndsb ]¨¸pambn \oeKncnbnse Nmbt¯m«§Ä. Ipcnbmt¡mkvþtjÀfn cm¡pfncnð Xo\mf§Äs¡m¸w
NphSpsh¡póXv...tlm...Fs´mcp
Is®¯m Zqct¯mfw \oïp tXbnetXm¸pIfpsS ]¨¸n\pÅnð s]mXnªp Z¼XnIÄ. ]m«pw (6) lcam! Atñ? ImSnsâ Xmcm«v
]cóv InS¡pó aeaS¡pIfpsS kq£n¨ncn¡pó kpµc Imgv¨IÄ! Imgv¨bpsS
hfªpw ]pfªpw, Nmªpw Ifnbpambn (8) tI«pd§nb Hcp cm{Xn. ]¨¸mÀó
lcnX `qanI! _t¯cn-þKqUñqÀ hnimeXItfmSv Cãw IqSpóhÀ¡mbn tXbne aW¡pw Ip«n¡pdp¼³!
sNcnªpw HmÀ½Ifpambn ]ntäóv R§Ä
dq«nse ImgvN. Imdnð \nóv \oeKncn¡pópIÄ \osf ]cóp InS¡póp. AhtcmsSm¸w Ipsd Xp¼nss¡sImïv aWn Inep¡nbpÅ Chsâ ]qP ImWm³ Ipdp¼nsâ sIm¼p Ipep¡pw tNme s]mòmt\..! akn\KpUnsbó hnNn{X
\oïpw \nhÀópw, BSnbpeªpw ]pd¯nd§n Nn{XsaSp¡pt¼mÄ kabw sNehn«p. ckamWv. t^mt«mbv¡v t]mkv sN¿pó ]pÅnam³. bm{Xbnð hgn\osf `qantbmSp bm{X ]dªp. hgnIÄ
apJ¯Sn¡pó XWp¯ Imäv am³Iq«§sf ImWmw.
Ibdnbnd§nbpapbÀóv XmWpw ]nón«v hoïpw hb\mS³
Bthmfw \o«n izkn¨p. Imänð sX¸¡m«pÅ apXpae B\kt¦X¯nð bm{Xbv¡v Npc¯nse¯n. ]ïv tdmUv
IpWp§n¡pep§nbpw, Xncnªp Im«p]q¡fpsS KÔw. X¿mdmbn InS¡pó k^mcn hm³ ImWmw. PwKnÄ k^mcn¡v Iq«phó h\]meI³ ]dªp, "Cu \nÀ½n¡m³ Fôn\nbÀ
t\m¡nbpw KqUñqÀ ]«W¯nð \nóv `mK¯p ISphsb ImWm³ km[yXbpïv, \nÈÐcmbncn¡pI.
(3) akn\KpUnbnte¡p Xncnªv aqóv Cóse ISph ]nSn¨ Hcp am\nsâ ]mXn Xnó PUw InS¸pïv. kmbn¸n\v Npc¯neqsSbpÅ hgn
hgnhfhpIfpsS AgIfhpIÄ !! IntemaoäÀ aptóm«pt]mbmð R§Ä aptóm«v \o§n, ISph Xncn¨p hcpw. R§Ä BImw£tbmsS Im¯ncpóp. ImWn¨v sImSp¯ BZnhmkn
Nn{Xie`§Ä¡v Fñm Znhkhpw {]`mX kqcysâ t\sc
ImSnd§n hó Hcp Häbm³ am¡waqebnð Hcp t_mÀUv ASp¯ e£yw akn\KpUn. s]s«ómWv ISph I®nðs¸«Xv. im¸mSv Ignªv HcnS¯v Icn´ï³ ac¯nð sI«nbn«
B t]m¡p Iïmð BÀ¡mWv NndIpIÄ hnSÀt¯ïXpïv. Fs´ómð AhbpsS NndInse
t^mdkvddv sNIvt]mÌn\Sp¯v ImWmw . ‘Chartiy Home for \mhv s\m«n\pWªv InS¸mWv. IymadIÄ XpcpXpcm anón. XSn¨ N§ebnð InS¸pïv! Fsâ
Ahsf {]Wbn¡mXncn¡m³ IgnbpI!! iev¡§Ä kutcmÀPw BKncWw sN¿pó tkmfmÀ Pohsâ BZnaamb ]¨bneqsS,
\SptdmUnð hgnapS¡n Htc mentally disabled’ ]gb t_mÀUv Po¸v I®nðs¸«Xpw Ah³ Fgptóäv apcïpsImïv sFXnlyIY tI«v kmbn¸pw
skñpIfmWv. B DuÀÖ t{kmXÊnñmsX Ah¡v sshhn[yw \ndª
(hb\mSv Npc¯nsâ emky`mhw !) \nð¸mWv. AXv hgn aZm½bpw Nncn¨p. R§Ä Npcw
]d¡m\mhnñt{X! klym{Znbnse kky-P´pPme sshhn[yw BWv. R§Ä At§m«v Xncn¨p. kkyPohnX¯nsâbpw HmSnadªp.
Npc¯nse H¼Xv slbÀ ]n³ AÛpXmhlamWv. temI¯p asämcnS¯pw ImWm¯ Nne ssIX¨¡bpw Icn¼pw aäpw Ibän apf¡q«§Ä¡nSbnð Hcp `h\w. P´pPme§fpsSbpw “Tiger Tiger, burning bright, Cd§pIbmWv. XpwKambn DbÀóp agbmbmð ØnXnbmsI amdpw. `b kw{`a§fpsS {]NÞ
hfhpIfpw Xmïn apIfnse¯n. PohnhÀ¤§fpsS BhmktI{µamWv ChnSw. Ahbnð apóqän hcpó temdnIÄ Im¯mWv ap¸tXmfw At´hmknIÄ. h\XS§fneqsS, lcnXmÀ{Zamb t]mIpó ae\ncIÄ ]nónð {]hmlamWv ]nsó. BÀ¯«lkns¨¯pó {]fbw, DcpÄ
Ahsâ \nð¸v. temdn F¯nbmð apXnÀó icochpw In the forests of the night; HmSnbIepóp. At¸mgpw ]nón« {]hml¯nsâ `oXnXamb AeÀ¨. aebnSn¨nensâ kwlmc'
‘tl, ½sS XmactÈcn sNmcw óv. Ccp]¯tômfw C\§Ä Cóv a\pjysâ CSs]Sð aqehpw Xp¼nss¡ s]m¡n Ahsâ Hcp `qansb izkn¨psImïpÅ bm{X sImSpapSnIfpw Im«p N´hpw XmÞh§Ä! HmÀ½Ifnð t]mepw \Sp¡w!
]St¨mt\ Imt¯mftWóv Hä addp ImcW§fmepw hwi\mi `ojWnsb t\cnSpóp! ]nôpIp«nIfpsS a\Êpambn Ipsd Znhyamb Hcp XoÀ°mS\w Xsó. What immortal hand or eye,
]cntim[\bpïv. Ah\v thïXv PohnX§Ä. kwkmctijn hensbmcp {]tem`\ambn a\Ênð
hnfnbmWv’. Cw¥ïnð \nsó¯nb cïp kplr¯p¡Äs¡m¸amWv X¸nsbSp¯nt« hïn IS¯nhnSq. Cñm¯hÀ, ]cklmbanñmsX Im«nð sIm¯ns¸dp¡n Could frame thy fearful symmetry?” \ndªp \nóp. Im«mdpIfpsS ag¡mew Ignªmð hoïpw im´`mht¯msS `qan¡v
bm{X. ]oäpw _mÀ_dbpw. _t¯cnbnð \nóv h\]meIÀ ]S¡w I¯ns¨dnbpw. Zn\IrXy§Ä sN¿m³ t]mepw \S¡pó abnð. -William Blake PetLmjw sImïv k¼óamWv ZmlPew ]IÀóv kuayamb§s\ HgpIn \o§pw!
15 sk]väw_À þ HIvtSm_À 2020