Page 13 - Sahaja Sep_Oct_2020
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IpXnch«w ]¸phnsâ Ipfqkv ]dóphoWv Ahsb dmôn¸d¡pó s]mòIÄ. Im«n\pÅnð s\bvtdmkv-äns\m¸w NqSpNmb sIev]nñm¯hÀ. AhcpsS Fñm Imcy§fpw t\m¡n \S¯pó (7) h\]meItcmsSm¸w Xpdó Po¸nemWv ImSns
HmÀ½ hóp. NohoSpIfpsS \ne¡m¯ ioð¡mcw. hen¨p IpSn¨t¸mÄ bm{Xm£oWw Ipcnbmt¡mkvþtjÀfn Z¼XnIÄ. ]m«pw Ifnbpambn ImWm³ t]mIpóXv .
amdn Dtòjw hoïpIn«n. AhnsS AhtcmsSm¸w Ipsd kabw sNehn«p. GXmbmepw D¨`£Ww \oeKncnbnsemcp khmcnKncnKncn!
Npcw Ibdpt¼mÄ hgn \osf (2) abnem«¯nsâ irwKmc NmcpX!
tdmUnsâ Ccphi¯pw \nóv ]m«hbð, tZhÀtjme, ChtcmsSm¸w Xsó. HSphnð AhtcmSv bm{X ]dbpt¼mÄ Gsd t\cambn HcmÄ “The pride of the peacock is the
Ipc§pIfpsS hnIrXn¯c§Ä e¡nSn HcpIme¯v Gähpw IqSpXð ag e`n¡pó KqUñqÀ hgnbmWv bm{X. \oe NneÀ ssI Xcpóp. NneÀ sI«n¸nSn¡póp. \½psS I®pIfpw B\sb¯só t\m¡nbncn¡póp,-
ImWmw. Øe§fnð cïmw Øm\¯mbncpóp. CómIs«, ImSpw aeIfpw \oe]q¡fpw! Cud\Wnbpóp. Rm³ AbmfpsS tNãIfpw! acs¡m¼pIÄ ]nSn¨v Ipep¡nbpw ]ñnfn¨p
IqSpw Im«p]qtômebpsS Ipfncpw FhnsSsbóv \oeKncnbpsS Ipfncnð Aenªp HSphnð AbmÄ F\n¡v ImWn¨p FXncmfnbpsS t\À¡v ]cm{Iaw ImWn¡pó l\
BImiw Xpdón« hnZqc \oena. tNcm\mbn kômcnIÄ (5)
IhntbmsSm¸w \½fpw Xncbpóp. XSmI Xocs¯ B{ia¯nð Xóp, AbmÄ At¸mÄ hc¨ Ipc§pIÄ.
Cu ae\mSgInsâ HgpInsb¯pó Imew .
]ïv Kpcp \nXyssNX\ybXn F¯n X§mdpïmbncpóp. sX¸¡mSv B\kwc£W tI{µw. B\bpsS Hcp at\mlc Nn{Xw!
BImchSnhpIsf XShnsb¯pó \oeKncnbnð P¡c´ ]q¡pw
hrÝnI¡pfnÀ aªv. F{Xtbm {]Wb ie`§Ä cmK ZqXpambn AWbpó IpfnÀImew! Imeambncpóp. hgntbmc§fnð ]pgbnse \ocm«p Ignªv F¯pó IcnhocòmÀ¡v
BcWy\ncIfneqsS XSmI¡cbnse ]q¼mäIfpsS kwKaw at\mlcw. aps¼t§m \osf ]q¯pebpó P¡c´bpsS sImSp¡m³ ]eXcw [m\y§fpw iÀ¡cbpsams¡
aebmf¯nsâ Pe`mkpcamb AÛpXt¯msS hmbn¨dnª Hcp Imcyw HmÀ½bnð hóp. A]qÀh hiyX! tNÀ¯v t]mjImlmcw X¿mdm¡nsh¡póp.
`q{]IrXnbpsS
‘_Zmw act¯mSv Rm³ ]dªp,
almkuµcy¯nte¡v \½Ä apXpaebnse B\bq«v-.
ktlmZco ssZhs¯¡pdn¨v Ipd¨p t\cw amdn ]Xp§n \nótijw Ah³ hoïpw tdmUnð
F¯nt¨cpóp. {]IrXnbpsS Cu
FtómSv kwkmcn¡pI. At¸mÄ _µv {]Jym]n¡pw!
ImcpWys¯ \ap¡v ]ÝnaL«w
_Zmw acw ]q¯p’. Ikâ v
Fóv hnfn¡mw. (4)
km¡oknsâ hm¡pIÄ HmÀ½
h\¯n\pÅnð kzÑXbnð hóp:
apgpInb ]qt¡mSv XSmIw ImWmw. {i²n¡pI! ko{_ t{Imkv Añ, Fen^â v t{Imkv!
Hcp sIm¨p Imsä§m³ hóp Ip«nbm\Isf kpc£nXambn \Sphnð \nÀ¯n tdmUpapdn¨v
h\hpw hm\hpw XSmI¯nð
t]mbmð IS¡pó B\¡pSpw_w...Ccp`mK¯p \nópw hcpó
I®mSn t\m¡póp. t\À¯
hml\§Ä \nÀ¯nbn«p Im¯p \nóp.
Imäphoipt¼mÄ shůnð Xpcp Xpsc ]qagbmbn ]nsó.
ac§fpsS ]pjv-]hrãn. hml\¯nð \nóv ]pd¯nd§m³ ]mSnñm¯nS¯v, hgnbnð
hgn \osf ]qhncn¨v
CSbv¡nsS ao\pIÄ ]pfbpt¼mÄ arK§sf¡ïv Bthiw Ibdn t^mt«m FSp¡m³
\oeKncnbpsS hcthð¸v!
s\mSnbnSbnð FhnsS \ntóm ]pd¯nd§nbmð ss^³ ]Xn\mbncw cq]. kq£n¡pI.
{]IrXn, AÛpX NcmNc tdmUnð IymadIÄ Øm]n¨n«pïv.
(1) AhnsS \nóv {]IrXn!! I¬\ndsb ]¨¸pambn \oeKncnbnse Nmbt¯m«§Ä.
Is®¯m Zqct¯mfw \oïp tXbnetXm¸pIfpsS ]¨¸n\pÅnð s]mXnªp
]m«hbð, (6)
]cóv InS¡pó aeaS¡pIfpsS kq£n¨ncn¡pó kpµc Imgv¨IÄ! Imgv¨bpsS
hfªpw ]pfªpw, Nmªpw tZhÀtjme, KqUñqÀ lcnX `qanI! _t¯cn-þKqUñqÀ Ip«n¡pdp¼³! (8)
sNcnªpw dq«nse ImgvN. Imdnð \nóv hnimeXItfmSv Cãw IqSpóhÀ¡mbn tXbne aW¡pw Ipdp¼nsâ sIm¼p Ipep¡pw tNme s]mòmt
hgnbmWv bm{X. \oe \oeKncn¡pópIÄ \osf ]cóp InS¡póp. Xp¼nss¡sImïv aWn Inep¡nbpÅ Chsâ ]qP ImWm³
\oïpw \nhÀópw, BSnbpeªpw ]pd¯nd§n Nn{XsaSp¡pt¼mÄ ckamWv. t^mt«mbv¡v t]mkv sN¿pó ]pÅnam³. bm{X
aeIfpw \oe]q¡fpw! apJ¯Sn¡pó XWp¯ Imäv am³Iq«§sf ImWmw.
Ibdnbnd§nbpapbÀóv XmWpw
Bthmfw \o«n izkn¨p. Imänð sX¸¡m«pÅ apXpae B\kt¦X¯nð bm{Xbv¡v
\oeKncnbpsS Ipfncnð PwKnÄ k^mcn¡v Iq«phó h\]meI³ ]dªp,
IpWp§n¡pep§nbpw, Xncnªp Im«p]q¡fpsS KÔw. X¿mdmbn InS¡pó k^mcn hm³ ImWmw.
KqUñqÀ ]«W¯nð \nóv
t\m¡nbpw Aenªp tNcm\mbn (3) akn\KpUnbnte¡p Xncnªv aqóv `mK¯p ISphsb ImWm³ km[yXbpïv, \nÈÐcm
Cóse ISph ]nSn¨ Hcp am\nsâ ]mXn Xnó
hgnhfhpIfpsS AgIfhpIÄ !! kômcnIÄ Nn{Xie`§Ä¡v Fñm Znhkhpw {]`mX kqcysâ t\sc IntemaoäÀ aptóm«pt]mbmð R§Ä aptóm«v \o§n, ISph Xncn¨p hcpw. R§Ä BImw£tbmsS Im¯
ImSnd§n hó Hcp Häbm³ am¡waqebnð Hcp t_mÀUv ASp¯ e£yw akn\KpUn. s]s«ómWv ISph I®nðs¸«Xv. im¸mSv Ignª
B t]m¡p Iïmð BÀ¡mWv HgpInsb¯pó Imew . NndIpIÄ hnSÀt¯ïXpïv. Fs´ómð AhbpsS NndInse
Ahsf {]Wbn¡mXncn¡m³ IgnbpI!! iev¡§Ä kutcmÀPw BKncWw sN¿pó tkmfmÀ t^mdkvddv sNIvt]mÌn\Sp¯v ImWmw . ‘Chartiy Home for Pohsâ BZnaamb ]¨bneqsS, \mhv s\m«n\pWªv InS¸mWv. IymadIÄ Xpc
\oeKncnbnð P¡c´ skñpIfmWv. B DuÀÖ t{kmXÊnñmsX Ah¡v \SptdmUnð hgnapS¡n Htc mentally disabled’ ]gb t_mÀUv Po¸v I®nðs¸«Xpw Ah³ Fgptóäv apcïpsIm
(hb\mSv Npc¯nsâ emky`mhw !) \nð¸mWv. AXv hgn BWv. R§Ä At§m«v Xncn¨p. sshhn[yw \ndª HmSnadªp.
]q¡pw Imeambncpóp. ]d¡m\mhnñt{X! klym{Znbnse kky-P´pPme sshhn[yw kkyPohnX¯nsâbpw
Npc¯nse H¼Xv slbÀ ]n³ AÛpXmhlamWv. temI¯p asämcnS¯pw ImWm¯ Nne ssIX¨¡bpw Icn¼pw aäpw Ibän apf¡q«§Ä¡nSbnð Hcp `h\w. P´pPme§fpsSbpw “Tiger Tiger, burning bright,
hfhpIfpw Xmïn apIfnse¯n. hgntbmc§fnð \osf PohnhÀ¤§fpsS BhmktI{µamWv ChnSw. Ahbnð apóqän hcpó temdnIÄ Im¯mWv ap¸tXmfw At´hmknIÄ. h\XS§fneqsS, lcnXmÀ{Zamb
Ahsâ \nð¸v. temdn F¯nbmð apXnÀó icochpw In the forests of the night;
‘tl, ½sS XmactÈcn sNmcw óv. ]q¯pebpó Ccp]¯tômfw C\§Ä Cóv a\pjysâ CSs]Sð aqehpw Xp¼nss¡ s]m¡n Ahsâ Hcp `qansb izkn¨psImïpÅ bm{X
]St¨mt\ Imt¯mftWóv Hä P¡c´bpsS A]qÀh addp ImcW§fmepw hwi\mi `ojWnsb t\cnSpóp! ]cntim[\bpïv. Ah\v thïXv ]nôpIp«nIfpsS a\Êpambn Ipsd Znhyamb Hcp XoÀ°mS\w Xsó. What immortal hand or eye,
PohnX§Ä. kwkmctijn
hnfnbmWv’. Cw¥ïnð \nsó¯nb cïp kplr¯p¡Äs¡m¸amWv X¸nsbSp¯nt« hïn IS¯nhnSq. Cñm¯hÀ, ]cklmbanñmsX Im«nð sIm¯ns¸dp¡n Could frame thy fearful symmetry?”
hiyX! bm{X. ]oäpw _mÀ_dbpw. _t¯cnbnð \nóv h\]meIÀ ]S¡w I¯ns¨dnbpw. Zn\IrXy§Ä sN¿m³ t]mepw \S¡pó abnð. -William Blake
13 sk]väw_À þ HIvtSm_À 2020
