Page 7 - 2020 Nov 30 Christies Hong Kong Springfield Museum Imperial Art
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FOREWORD

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                             `        The key note of this collection, was intended to be,  a
                                      and is, beauty – beauty and repose, beauty of form.
                                                  George Walter Vincent Smith



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                                   ྋჷⅲ⟞ლǏ⨓゠ⅲ⟞ლ䢲ۢ͠⧀̃⡊Ϝⅲပᄖⅲ⟞ლǐǚ
                                                          ܂ࡘᦆ


                             Established in 1896, and housed in a building modelled after an Italian palazzo,
                             the George Walter Vincent Smith Art Museum was founded by George Walter
                             Vincent Smith (1832-1923) and his wife Belle Townsley Smith (1845-1928) and
                             embodies the vision of the couple whose eclectic collection it contains. As a
                             young man, George Walter Vincent Smith made his fortune as a partner at
                             Stivers and Smith Carriage Emporium, a New York City carriage manufacturing
                             company best known for beautifully decorated carriages fashioned with high-
                             end fabrics. Smith’s successful career, which combined an appreciation for
                             beauty with business savvy, enabled him to retire at the age of just thirty-five
                             and to pursue his true passion: collecting art.  In 1871, Smith moved to the
                             thriving industrial city of Springfield, Massachusetts, the hometown of his wife
                             Belle Townsley Smith. In 1891, after several decades of enthusiastic purchasing,
                             the Smiths generously gifted their collection to the privately run City Library
                             Association (now the Springfield Museums Corporation), overseeing the
                             construction of the building to house their objects. Mr. Smith served as the
                             museum’s first director and curator.


                             At the time of the museum’s opening, the still-growing collection of about
                             5,000 objects included contemporary American and Italian masterworks
                             and furniture, European lace and Middle Eastern rugs. However, it was the
                             extraordinary depth of the rare and unusual objects from China and Japan
                             that was most appealing to visitors and critics. Unsurprisingly, in 1905, the
                             publication  Springfield Present and Prospective promoted the GWVS Art
                             Museum as the city’s cultural gem and stated, “The principle and striking
                             feature of the collections is the predominance of the art in porcelains, cloisonné
                             ware, bronzes, jades, iron, lacquer, and ivory, of Japan and China…”






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