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the temple praised as the ‘Hall of Enriching the State’ was   Conclusion
               founded by the Xuande emperor in fulfillment of his father’s   This short chapter has only scratched the surface of Tibetan
               wishes. By the power of the king’s faith an image of Vajradhara   art vis-a-vis the Ming court, both for use in the centres of
               descended from the sky. The statue [which was installed there]   power and its application on the periphery. Textual evidence
               is renowned among the Chinese as a relic of the Yongle   suggests that Qutan Monastery was only one example of a
               emperor. It is recorded in a stele that to fulfill the wishes of the   larger pattern of imperial patronage along the Ming-
               Emperor’s heart, [the image] came from the land of the gods
               for the benefit of sentient beings of the human realm. 44  Tibetan frontier. However Tibetan in iconography the
                                                               imagery within Qutan Monastery’s halls may appear at first
            Longguo Hall (Tib. Srid skyong gling)              glance, Chinese painters’ hands are revealed in various
            The halls of Qutan Monastery become increasingly   subtle formal elements. This suggests that the Chinese
            splendorous in their imperial architecture as one moves   painters of the early Ming imperial atelier were able to
            toward the rear of the complex; Longguodian 隆國殿 (Hall   adjust the style and iconography of their paintings between
            of Enriching the State) (see Pl. 21.3 in this volume) is said to   Tibetan (within the halls) and Chinese (in the outer gallery).
            be based on the blueprint of Fengtiandian 奉天殿 (Hall of   While one might be tempted to dismiss the Tibetan elements
            Service to Heaven) in Beijing’s Forbidden City. The   that appear in otherwise Chinese architectural contexts
            description in the History of the Dharma in Amdo implies that   found at temples such as Qutan Monastery as simply
            Longguo Hall was built as the Yongle emperor’s memorial   resulting from their close proximity to the Sino-Tibetan
            hall, a statement reiterated in the bilingual dedicatory   border – in other words, as a marker of their ‘regionalism’ or
            Imperial Bestowal of Qutan Monastery’s Rear Hall Stele (Yuzhi   ‘provincialism’ – evidence presented here suggests that a
            Qutansi houdian bei 御制瞿曇寺後殿碑) dated the second year   more complex and imperially sponsored formation of
            of Xuande (1427).  It is also implied that this memorial hall   Sino-Tibetan art was operative in the Ming court, both in
                          45
            was built by Xuande in conjunction with the Yongle   the centre of power, Beijing, and in the outer reaches of the
            emperor’s funerary rites.                          empire.
                                                                  To put it another way, as Shane McCausland observed in
            Eunuchs on the periphery                           his remarks after the presentation of this paper at the British
            Longguo Hall contains a ‘Long Life to the Emperor’   Museum conference, this evidence suggests a Ming royal
            (huangdi wansui 皇帝萬歲) inscription on a wooden placard   awareness and participation in regional and blended modes
            which records that it was: ‘built in … the second year of   of artistic practice, their awareness of the agency of such
            Xuande [1427] by Meng Ji 孟繼, Shang Yi 尚義, Chen     patronage, and that all of this was indeed part of Ming
            Xiang 陳享 and Yuan Qi 袁琦, eunuchs of the Directorate   policy. I would add that, rather than a Ming innovation, this
            of Imperial Accoutrements’.This Director of Imperial   was built on a firm foundation of Mongolian precedence in

            Accoutrements, Meng Ji, was sent by the Ming court to   order to project themselves as rulers on the Inner Asian
            personally supervise the construction of Longguo Hall.   model, moulded in the image of Qubilai Khan.
            Such a high-ranking officer of the imperial construction
            apparatus was almost certainly accompanied by numerous   Notes
            high-ranking master craftsmen from the imperial atelier,   1  This chapter is an abbreviated discussion based on chapters 2 and
            and Longguo Hall’s architectural workmanship has been   3 of my dissertation, ‘Ethnicity and Esoteric Power: Negotiating
            favourably compared to other inner court productions by   Sino-Tibetan Synthesis in Ming Buddhist Painting’ (Debreczeny
                                                                  2007), some of the findings of which were previously published in
            eunuchs, such as Fahai Monastery and Zhihuasi 智化寺     Debreczeny 2003. Thanks to Elliot Sperling, Shane McCausland,
            (Transformation of Wisdom Monastery) in Beijing. It seems   Yu-Ping Luk, Craig Clunas and Jessica Harrison-Hall.
            likely that this Yuan Qi on the Qutan Monastery tablet is   2  Hongwu patronised several Tibetan lamas and their monastic
            the same Chinese official to whom Palden Tashi gave full   projects, including Qutan Monastery’s founder Sangyé Tashi
                                                                  (Sangs rgyas bkra shis; Ch. Lama Sanluo 剌麻三囉; d. 1414) in
            ordination vows in 1434, seven years after the completion of   Qinghai province. See Sperling 2001.
            Longguo Hall. 46                                   3  For instance, the head of the Sakya order Kunga Tashi Gyaltsen
               Supporting evidence which further expands our      (Kun dga’ bkra shis rgyal mtshan; 1349–1424) played an important
            understanding of the eunuch Meng Ji’s role in the     political role in both Yuan and Ming court connections with
                                                                  Gyantse (rGyal rtse).
            construction of Qutan Monastery is found in a set of Chinese   4  This sculpture of Mahākāla was counted among the objects of
            archival records of successive generations of imperial edicts   inheritance symbolic of Mongol rule alongside Chinggis Khan’s
            for donations to the temple (1651): ‘During the Yongle period   spirit banner and the imperial seal. For more on the political role of
            imperial envoys such as the eunuch Meng 孟 and         Mahākāla (and Pañjaranātha in particular) within the Mongol
                                                                  empire see Grupper 1979 and Debreczeny 2014.
            commander Tian Xuan 田選, respecting the imperial    5  Stoddard 1985.
            edict(s), built the two halls, Baoguang and Longguo, and   6  Prince Zhuang of Liang (1411–41), was a grandson of Yongle and
            erected a stele record’.  It would seem from various textual   brother of Xuande. At least one other golden image of
                              47
            evidence that both Baoguang and Longguo halls, as well as   Pañjaranātha Mahākāla was also found in the same tomb, along
            the covered gallery and eight of the subsidiary halls, were   with other Tibetan Buddhist imagery. See Hubei sheng wenwu
                                                                  kaogu yanjiusuo and Zhongxiang shi bowuguan 2007; and Hubei
            conceived of as part of the same construction project by the   sheng bowuguan 2007.
            Yongle emperor, and it is stated directly that Xuande was   7  Also explored in Robinson 2008.
            ‘fulfilling the wishes of his father’, and thus completing his   8  Tsai 2001, 29–33.
            vision.                                            9  Sperling 1983, 74–6.
                                                               10  Tsai 2001, 84.



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