Page 134 - China's Renaissance in Bronze, The Robert H.CIague Collection of Later Chinese Bronzes 1100-1900
P. 134

Tang-dynasty  silver,  ring-punched  grounds  had  been  revived  by  late  Ming
                       times and sometimes appear  in works  by  Hu Wenming  [see 12]; such  grounds
                       not  only  provide  a  foil  for  the  plain  letters,  making  them  easier  to  read,
                       they  also  conceal  the  telltale  chisel  marks  imparted  in the  excavation  of
                       the  sunken  ground.  The  black  composition  rubbed  into  the  rings  of  the
                       punched  ground  further  enhances  legibility.  In  their  slightly  mannered
                       style the  Chinese  characters  in the  carved  mark  on the  base  reflect  some-
                       thing of the decorative flair of the Arabic letters;  in  addition, the  characters
                       of  the  mark  are  also  set  against  a textured  ground.  Although  cast  ele-
                       ments  were  finished  through  extensive  cold  working  on  many  late  Ming
                       bronzes  [see  11,13],  it was  probably  not  until the  eighteenth  century  that
                       bronzes  came to  be decorated  entirely  after  casting through  cold-working
                       techniques 22  [compare  22].  In this  case,  the  stiffness  of  the  Arabic  letters
                       and  the  slight  irregularities  and  imperfections  in  the  borders  point  to  a
                       nineteenth-century  date  of  manufacture.
                            In the  nineteenth  century  could  Arabic  inscriptions  have  been  chis-
                       eled  into  an undecorated  censer  of earlier  date? This  question  is not  easily
                       answered,  though  two  points  argue  against  the  possibility,  at  least  in  this
                       case. As  mentioned  above,  the  censer's  wide  lip  compares  with the  similar
                       ones that  sometimes  appear  on nineteenth-century  cloisonne  censers  with
                       Arabic  inscriptions,  suggesting that the  Clague  censer  is  a late  exponent  of
                       the  Xuande  censer  type,  presumably  of  the  same  date  as  the  inscription.
                       More  importantly,  an identical  bronze  censer  in the  collection  of  Professor
                       Yussif  Ibish  has the the  same Arabic  inscriptions  in the  same  unusual  script
                       with  its  swollen  vertical  strokes. 23  Coincidence  of  shape,  decoration,  and
                       style suggest that the two  censers  were  produced  by the  same  workshop
                       at the  same time;  it seems  unlikely  indeed that  if  in the  nineteenth  century
                       Arabic  inscriptions  were  added  to  earlier  censers,  the  censers  themselves
                       would  be  identical  in shape  and  style.




















              134  1 0   C H I N A ' S  R E N A I S S A N C E  IN  B R O N Z E
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