Page 260 - China's Renaissance in Bronze, The Robert H.CIague Collection of Later Chinese Bronzes 1100-1900
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pins  and  soldered  to  the  body  below  the  proper-
                       right  rear  haunch. A  corroding  iron  rod,  approxi-
                       mately 1/4 inch in diameter, juts inside the sculpture
                       from  the...shank  of  the  proper  right  rear  leg.
                       Tests with a magnet reveal that the iron rod extend-
                       ed through the  haunch  into the  shank.  Due to  the
                       fact  of iron corrosion  and  metallic structure  of the
                       solid  cast  shank,  this  iron  rod  was  in  place  during
                       the original casting  of the sculpture. Tests with the
                       magnet  were  inconclusive  if  another  iron  rod  is
                       cast  into  the  proper  left  rear  leg.  Radiography  of
                       the  sculpture  could  reveal  the  structure  if  neces-
                       sary.  Portions of the casting core remain inside the
                       sculpture.  The  modeling  is  well  executed  and
                       highly articulated.The surface has been well chased.
                       There  are  some  small casting flaws  in the  form  of
                       tiny  air  pockets  visible  along  the  ear,  mouth,  and
                       chest  of  the  Kylin  (qilin).  Some  flaws  continue
                       through  the  metal  as  small  holes  visible  from  the
                       inside  when  the  sculpture  is  held  near  a  strong
                       light.  Surface:  The  patina  is  a  rich  brown,  olive
                       underneath  golden  highlights  in the  body  areas.
                       This  patina  appears  to  be  from  age  rather  than
                       chemically  induced. The  gilded  areas appear to  be
                       a  'fire' or mercury  gilding. The  mane and tail were
                       not gilded  originally.'
                        10. Oriental  Ceramic  Society  of  Hong  Kong,  Arts
                       from  the  Scholar's  Studio,  240, number 232.






































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