Page 108 - Himalayan Art Macrh 19 2018 Bonhams
P. 108

3041
                                                             A COPPER ALLOY JALAMANUSHA
                                                             NEPAL, 17TH/18TH CENTURY
                                                             Cast in two parts with lid and body separating at the figure’s waist.
                                                             Himalayan Art Resources item no.61568
                                                             8 1/4 in. (21 cm) high

                                                             $20,000 - 30,000

                                                             尼泊爾 十七/十八世紀 嘉拉滿努沙 緊那羅銅像

                                                             This rare and beautiful ritual object depicts the unique Nepalese take
                                                             on the half-human, half-bird celestial creature in Buddhist art known
                                                             more broadly as a kinnara. The sculptor has impressively married
                                                             human and avian forms, giving her a charming smile while offering a
                                                             garland of flowers, and an ornate flourish of feathers across her back.
                                                             Whereas the kinnara might have talons resembling that of a peacock
                                                             in Thailand, in Nepal, she has the webbed feet of a duck. The present
                                                             lot is one of the finest examples of Nepalese jalamanusha, comparing
                                                             favorably to two other published examples, one held in the Dallas
                                                             Museum of Art (acc. #PG.2012.6) and another in the Nalin collection
                                                             published in Vajracharya, Nepalese Seasons, Rain and Ritual, New
                                                             York, 2016, p.45, no.5.

                                                             The mythic creature can be traced in Buddhist art to as far back as
                                                             the railings of Sanchi. An early textual reference in the Candakinnara
                                                             Jataka mentions that a kinnara dies of a broken heart when separated
                                                             from her mate. According to Kossak, the jataka possibly led to
                                                             kinnaras becoming symbols of marital fidelity, which would explain the
                                                             appearance of jalamanusha in the context of a Nepalese family portrait
                                                             depicting Gaganasim and His Wives, published in Pal, Himalayas,
                                                             Chicago, 2003, p.69, no.38.

                                                             Provenance
                                                             Private Asian Collection












































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