Page 112 - Himalayan Art Macrh 19 2018 Bonhams
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3043
           A THANGKA OF KHASARPANA LOKESHVARA
           CENTRAL TIBET, LHASA STYLE, 18TH CENTURY
           Distemper on cloth; with original silk mounts.
           Himalayan Art Resources item no.61514
           Image: 27 1/2 x 18 3/4 in. (70.6 x 46 cm);
           With Silks: 45 3/4 x 30 1/2 in. (114.6 x 78.2 cm)

           $30,000 - 50,000

           西藏中部 拉薩風格 十八世紀 達賴喇嘛源流 靜息觀音唐卡

           The beautiful painting of white Khasaparna Lokeshvara depicts the large central figure
           seated in an elegant lalita pose above soft, pink lotus petals and beneath the boughs
           of a gnarled fruit tree. With ice-capped mountains descending into fresh pools of water
           in the far distance, the bodhisattva dwells in a paradisiacal landscape, joined by an
           attendant who offers him a tray of fruit, Shadbhuja Mahakala, the Gelug’s principal
           protector at the bottom, and Buddhas Amitabha and Shakyamuni resting on the clouds
           above.

           The painting is rendered in the Lhasa court style with its rich blue skies, bold opaque
           halos, and overall preference for symmetry – seen here balancing the composition
           with silhouettes of Mahakala on the left and the lotus borne offering on the right.
           The landscape is executed with a clear structure, and the figures are well integrated.
           Compare with other paintings in the Lhasa court style sold by Bonhams, New York, 17
           March 2014, lot 41; and 14 March 2016, lot 59.

           This thangka would have been the first in a set depicting the various incarnations of the
           Dalai Lama as famously designed in woodblock prints at Narthang monastery, Central
           Tibet, in the 17th century. The Palace Museum, Beijing, houses a complete set, with a
           composition identical to the present lot’s (Zangchuan fojiao tangka - Gugong bowuyuan
           cang wenwu zhenpin quanji, Hong Kong, 2006, pp.10-23, nos.7-19). Other sets and
           dispersed thangkas derived from these woodblocks are also preserved at Drepung
           Monastery in Lhasa and Spituk Monastery in Ladakh. A later, 19th-century example of
           this composition is in the Rubin Museum of Art (HAR#196). The present lot compares
           favorably to other known examples grouped on HAR set no.5152. Also compare this
           painting’s richness of color and confidence of line to a later c.1800 thangka of the Fifth
           Dalai Lama from an equivalent set sold at Bonhams, New York, 14 March 2016, lot
           48, and two c.1900 thangkas of the Fourth and Fifth Dalai Lamas sold at Bonhams,
           London, 11 May 2017, lot 23.

           Provenance
           Private New York Collection, acquired at auction in Germany, late 1990s



















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