Page 158 - Himalayan Art Macrh 19 2018 Bonhams
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3071
           A COPPER ALLOY JAIN SHRINE
           CENTRAL INDIA, 10TH CENTURY
           6 1/8 in. (15.7 cm) high

           $25,000 - 35,000
           This superior and early personal Jain shrine from Central India has a large and handsome
           central figure and a rich pine green patina. With only eight planets referenced by the
           line of faces above its footed base, a watershed in Indian astrology resulting in a ninth
           planet being added in the 11th century, allows us to confidently date this piece to the
           10th century (cf. Pingree, ‘Indian Planetary Images and the Tradition of Astral Magic’,
           in Journal of the Warburg and Courtauld Institutes, Vol.52, 1989, p.6). Compare it with
           another example in the same style with nine faces dated by inscription to 1074 in this
           sale (lot 3072).

           For this reason, the present lot is also a rare and significant Jain bronze from Northern
           India, being among the earlier known examples of a continuous artistic tradition
           patronized from Gujarat to Madhya Pradesh until this day. In early pieces, the modeling of
           the figure is quite naturalistic, as in the present lot, and gradually increases in abstraction
           and ornament as the centuries progress. For this evolution, refer again to the following
           lot, dated 1074; see an example dated 1140 in Granoff (ed.), Victorious Ones, pp.200-
           1, no.S21; and finally an example dated c.1353, representing the crescendo of the high
           baroque style more commonly identified with Gujarat and Rajasthani Jain shrines sold by
           Bonhams, New York, 13 March 2017, lot 3108.

           The central jina, possibly Mahavira, is joined by four other jinas creating a panchatirthi
           shrine image of five Tirthankaras (‘ford-bearers’). Yaksha Matanga and Ambika also
           support his throne. Distinct from the following lot in the same style, the subsidiary
           jinas are naked here, meaning that this bronze was made for a Digambara patron. The
           Digambara communities of Northern India were primarily located in Eastern Rajasthan
           and Madhya Pradesh, which is why the bronze has been attributed to Central rather
           than Western India, although the distinction is perhaps not so significant given that there
           appears to be one general style catering to both northern Jain communities.

           Provenance
           Barling of Mount Street Ltd, London, 1970s
           Private American Collection






















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