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           AN EQUESTRIAN PORTRAIT OF         A PORTRAIT OF MAHARANA JAGAT     This appears to be a favored venue by
           MAHARAJA SARDAR SINGH             SINGH II                         both Jagat Singh and Ari Singh for intimate
           MEWAR, CIRCA 1840                 ENJOYING A MUSICAL PERFORMANCE   settings. The ‘sun window’, with its multi-
           Opaque watercolor and gold on paper;   BY DEVA, UDAIPUR, CIRCA 1740-50   colored stained glass and an upper gallery
           Recto inscribed in devanagari:    Opaque watercolor and gold on paper; verso   of white jali panels, are seen throughout
           Maharaja Ji Shri Sardar Singh Ji Gaad Ore   inscribed in devanagari:   their paintings. A closely related composition
           Kechek; “Maharaja Sardar Singh riding the   Deva....Jagat Singh Ji Sagram Singhot;   with the ruler conversing with two sardars,
           horse Ore Kechek”.                “Jagat Singh, descendant of Sangram Singh,   dated 1745-50, is in the National Gallery of
           Image:10 3/8 x 8 1/2 in. (26.9 x 21.5 cm)  rendered by Deva”.      Victoria (Topsfield, Paintings from Rajasthan,
                                             Image: 14.5 x 10 in. (36.8 x 25.4 cm);   Melbourne 1980, no.121). Maharana Ari Singh
                                             Folio: 17 x 11 7/8 in. (43.1 x 29.9 cm)  II receiving his sardars by Bhima dated 1764
           $3,000 - 5,000
                                                                              is arranged in a similar tight composition
                                                                              (ibid., no.166). A work signed by the artist
           Lavishly attired and bejeweled the youthful   $10,000 - 15,000     Sukh Luhar dated 1750 also shows the ruler
           rana is mounted on favored stallion in the                         on a similar golden throne from a rotated
           presence of various courtiers on foot. Sardar   Seated before the ‘sun window’ of the   perspective (Topsfield, Court Painting at
           Singh ruled 1838-42, assuming the throne   City Palace of Udaipur, the corpulent ruler   Udaipur, Zurich, 1990, p.187, no.162).
           from the heirless Jawan Singh. For another   squeezes into his throne-like high stool. He is
           portrait see Spink & Son, The Sublime Image,   entertained by an all-female musical ensemble   Provenance
           London, 1997, no. 10.             and comforted by the wafted long peacock-  Private California Collection
                                             feather fan and gilded huqqa. The performing
           Provenance                        group’s star singer is dressed in a striking gold
           Spink & Son, London, mid 1980s    angarkha, suggesting her possible celebrity,
           Henry Ginsberg Collection, London   while everyone else wears tiger orange
           E W Asian Art, Pasadena, 2007     garments that beautifully unifies the overall
           The Estate of Paul F. Walter, New York  composition.

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