Page 229 - Himalayan Art Macrh 19 2018 Bonhams
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3112                                              3113
           GANESHA ENTHRONED                                 RAJA SIDH SEN OF MANDI
           SCHOOL OF SAJNU, MANDI, CIRCA 1800-1820           BY MOHAMMADI, MANDI, EARLY 19TH CENTURY
           Opaque watercolor heightened with gold on paper; verso inscribed   Opaque watercolor on paper; inscribed on flyleaf identifying the ruler
           with number 545 and Mandi Royal Collection stamp.   and the artist named Mohammadi.
           Image: 9 1/4 x 7 1/8 in. (19.8 x 28.1 cm);        12 3/8 x 8 1/2 in. (32 x 22.3 cm)
           Folio: 12 x 9 5/8 in. (30.4 x 23.1 cm)
                                                             $4,000 - 6,000
           $15,000 - 20,000
                                                             Revered throughout the Himalayan region as a fierce warrior and
           Conceived with the superb proportions, Lord Ganesha is enthroned   effective ruler, Sidh Sen of Mandi (r. 1684-1727) is depicted with
           within a palace chamber. Unlike more common compositions where he  his characteristic bare chest and thick bands of hair bisecting his
           is shown under an open sky, here the artist has captured an intimate   powerful torso. Known to be a fanatical devotee of Shiva, he was
           scene with the single pious maiden satisfying the god’s limitless   also said to possess magical powers. A closely related early portrait
           appetite for all things sweet.                    held in the Fine Art Museum, Boston (2001.137) shows the ruler as a
                                                             manifestation of Shiva. Legend suggests the golden gutka, or magical
           The layered perspective and finely detailed composition are hallmarks   amulet he wears, allowed him to fly to the source of the Ganges each
           of the school of Sajnu, which flourished under the patronage of Ishavari  morning to perform his ablutions.
           Sen in the first decades of the 19th century. The delicate treatment
           of the lotus petals along the architrave and the chevron patterns on   This posthumous portrait was likely commissioned as a mark of
           the tapering columns are also found on a Barahmasa page attributed   reverence by Raja Isvari Sen, who ruled Mandi from 1788 to 1826 and
           to Sajnu in the Chandigarh Museum (see Archer, Indian Paintings   restored Mandi’s fortunes after a period of steep decline under the rule
           from the Punjab Hills, London, 1973, p.274, no.44). Also compare   of Shamsher Sen.
           the treatment of the maiden, and the architectural elements found in
           a page in the Victoria and Albert Museum (ibid., p.277, no.54), and   Provenance
           a page from a Hamir Hartha series sold at Bonhams, New York, 11   Royal Mandi Collection
           September 2012, lot 91.                           Private German Collection, 1969
                                                             Rob Dean Art, London, November, 2012
           Provenance
           Mandi Royal Collection
           German Private Collection, 1969
           Rob Dean Art, London, November 2015

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