Page 232 - Himalayan Art Macrh 19 2018 Bonhams
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           LADY WITH A PARAKEET                              The profile of the nayika is masterfully drawn with soft rounded nose
           ATTRIBUTED TO SAJNU, MANDI, CIRCA 1820            and chin and small plump lips. In addition, the very pale yellow tone
           Opaque watercolor and gold on paper; verso inscribed with number   of her skin and wisps of hair trailing across her ear are all common
           39 and in devanagari: Sri ram ji. Takri sri ram ji sri ganesaya namah   elements from the hand of Sajnu. Sajnu was a master painter from
           sri jagadambe prasanna; “Praise Lord Rama. Praise Lord Rama,   Kangra who worked in the court of Isvari Sen, Raja of Mandi (r. 1788-
           Adoration to Lord Ganesha, May Goddess Jagadamba be pleased”,   1826), from 1800-20. He is best known for his beautifully painted floral
           and Jis wakat hukam dita ja a tameel kiti janghi dughe jaise hukam   borders and spandrels, often oval-shaped central images, extensive
           hoye so manjoor; “At any time an order passed shall be obeyed. Other   use of white, and a lyrical quality found throughout his compositions,
           commands shall also be fulfilled”.                as evident in the present lot. Compare with several pages attributed
           Image: 8 3/8 x 6 1/8 in. (21.8 x 15.7 cm);        to Sajnu in Archer, Indian Paintings in the Punjab Hills, London, 1973,
           Folio: 10 3/4 x 8 1/2 in. (25.7 x 22.3 cm)        vol.II, pp.273-6, nos.42-50, also see Kalista & Rochell, Classical Indian
                                                             Paintings, New York, 2015, p.99, no.36.

           $20,000 - 30,000
                                                             Although following the idea of a ruler in a jharokha window, the
                                                             concept of the courtesan in this mode is unknown. A closely related
           Rendered in exquisite detail, this charming scene of a lovelorn nayika   portrait of a lady holding a wine cup within a similar oval composition
           gently caressing a parakeet is the epitome of illustrated love poetry   was attributed to Kangra and dated circa 1780 by Simon Ray in
           popular in the Punjab Hills in the late 18th and early 19th century.   Indian and Islamic Works of Art, London, 2008, p.158, no.69. Another
           The small pet bird keeps her entertained until the return of a beloved   attributed to Jaipur is published in Tandon, Miniature Painting 16th
           fiancé or husband. Parakeets represent fertility, so the scene may   through 19th centuries, 1982, fig.176. A third attributed to Golconda
           symbolize a wish for the princess to become a bride and have a life   in the Binney collection is published in Desai, Life at Court, 1985, p.77,
           with many children. Indian ring-neck parakeets are one of the birds   no.61.
           most commonly kept as pets, though if not given sufficient affection
           they become unruly.                               Provenance
                                                             Royal Mandi Collection
                                                             Private European Collection acquired in 1969
                                                             Rob Dean Art, London, 2015


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