Page 87 - Himalayan Art Macrh 19 2018 Bonhams
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Fig.3
                                      Avalokitesvara, Kumbum, Gyantse
                                      © Thomas Laird, 2018. Murals of Tibet, TASCHEN





           However, our inscription only says so much, and Sonam Gyaltsen   More information beyond this masterpiece and this initial inscription will
           could also have been commissioned to produce sculptures for   hopefully come to light to help us better understand Sonam Gyaltsen’s
           various monasteries throughout Tibet. We should also not jump to the   work and its relationship to the prevalent styles he would no doubt
           conclusion that he was only confined to one medium. For instance,   have been aware of and perhaps responding to, such as the Pala style
           he might also have painted. His Avalokiteshvara Sahasrabhuja   murals of Shalu monastery with their foliate banded jewelry, the gilded
           Ekadasamukha represents the Bodhisattva with a thousand arms   tashi gomang stupas of Drigung and Densatil monasteries, and the
           symbolically, but its actual count is forty-two, with a complete set   imperial style of the Yongle court. Also, his relationship to other master
           of eight primary arms and thirty-four encircling arms. This is a rarely   artists, such as teachers and apprentices, or contemporaries that he
           seen configuration and perhaps the only other known example is the   might have collaborated with in catering to the great flourish in artistic
           subject of a mural on the second floor of Gyantse Kumbum (Fig.3),   patronage within Tsang Province in the 15th century. This pivotal
           which is part of a Sakya enclave no more than 60 miles from Shigatse.   sculpture begs us to presume these historic persons can be found
           Founded in 1427, Gyantse Kumbum is contemporary with Sonam   the longer we look for them. The reading of its inscription promotes
           Gyaltsen’s sculpture for Jamchen. This overlap of timing, geography,   it to one of the most important surviving sculptures from Tibet of any
           clergy, and iconography is enough for us to at least consider that   period, identifying an artist we are now compelled to include among
           Sonam Gyaltsen might have also been responsible for some of the   the legendary giants of Himalayan art.
           incredible artistic products of Gyantse Kumbum.
















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