Page 94 - The Ian and Susan Wilson Collection Schilar's Objects, Christie's, March 2016
P. 94

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A QIN-FORM DUAN INK STONE                       PROVENANCE                                            The ink stone is modeled after a Ming dynasty
19TH CENTURY                                                                                          qin named Tianlai, which bears the name of Sun
                                                Ink stone:                                            Deng and a seal, gonghe, and is in the collection
The ink stone is shaped in the form of a        Sydney L. Moss Ltd, 1983.                             of the Palace Museum, Beijing.
qin, carved with 13 studs (hui) on the left     Private collection, New York.
side and 7 tuning pegs at the top (zhen), and   Nicholas Grindley, London, 1998.                      http:/www.dpm.org.cn/shtml/117/@/115422.
an ‘inkwell’ at the center. A two-character     Ink cake:                                             html
inscription, Tialai (‘heavenly music’), is      Sanuk, San Francisco.
carved on the reverse in raised seal script                                                           Sun Deng, style name Gonghe, was a Daoist
followed by an incised name, Sun Deng, and      EXHIBITED                                             scholar famous for playing the one-stringed lute,
a square seal, Gonghe. A collector’s mark,                                                            who was active during the Wei dynasty of the
Haoyuan zhenwan (‘treasured plaything of        Ink stone:                                            Three Kingdoms period (AD 220-265).
Haoyuan’) is carved on one narrow side.         Brooklyn Museum, New York, 1989-1998.
Together with a qin-form ink cake, second half  TL. 1989.147.13.                                      Jianyingzhai was the name of an ink cake shop
19th century, with a seal mark, Jianyingzhai    S. Little, Spirit Stones of China, the Ian and Susan  owned by Hu Aitang, who was active during the
(‘Studio of Appreciating Luster’) at the        Wilson Collection of Chinese Stones, Paintings, and   Daoguang period (1821-1850). Another ink cake
top and a three-character mark, Taiguxin        Related Scholars’ Objects, Chicago, 1999, no. 64.     with a Jianyingzhai mark and dated to the Qing
(‘ancient heart’), carved in seal script and                                                          dynasty, after 1850, is in the collection of the
gilded in the mid section of the underside.     LITERATURE                                            Metropolitan Museum of Art (30.76.195, Rogers
                                                                                                      Fund 1929).
Ink stone: 5√ in. (14.8 cm.) long; ink cake:    Ink stone:
                                                S. Moss, Documentary Chinese Works of Art in          http:/metmuseum.org/exhibitions/
3Ω in. (8.8 cm.) long  (2)                      Scholars’ Taste, London, 1983, p 162-3, no. 105.      view?exhibitionId=%7B0FFD4537-CC07-4067-
                                                S. Little, Spirit Stones of China, the Ian and Susan  B93F-B53755F33FA8%7D=41775
$8,000-12,000                                   Wilson Collection of Chinese Stones, Paintings, and   清十九世紀 端石琴硯
                                                Related Scholars’ Objects, Chicago, 1999, no. 64.
                                                M. Knight, ‘Scholar’s Objects in the Ian
                                                and Susan Wilson Collection’, Orientations,
                                                May 1999, p. 51, fg. 5.

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