Page 46 - Bonhams GANBEI A Toast To Wine Culture, Hong Kong Nov 30 2022
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PROPERTY OF A LADY 女史藏品
           110
           A LARGE STRAW-GLAZED ‘DOUBLE-DRAGON-HEADED’
           AMPHORA
           Tang Dynasty
           The body of elegant ovoid form surmounted by a narrow waisted neck
           with cup-shaped mouth, set on the domed shoulders with a pair of
           double strap handles, the dragon-head terminals biting the lipped rim,
           covered in a clear white glaze, falling irregularly down the sides, the
           lower body and the base left unglazed, box.
           43.8cm (17in) high. (2).
           HKD180,000 - 220,000
           US$23,000 - 28,000
           唐 白釉雙龍耳瓶
           Provenance:
           A Japanese private collection, acquired in the 1980s
           A distinguished Asian private collection
           來源:
           日本私人舊藏,購於1980年代
           亞洲顯赫私人收藏











           The form of the present amphora originated during the Sui dynasty   瓶盤口,短頸微束,兩側黏燒雙龍耳,龍躬身探入盤口,立於溜肩之
           probably under the influence of the Silk Road, and became popular   上,圓鼓腹,修身下收於平底,胎質灰白緻密,外罩白釉不及下腹。
           in the Tang dynasty for wine and water storage. See a closely related
           but smaller white-glazed amphora excavated in Shaanxi, illustrated   此類雙龍耳瓶發軔於隋,興於唐。主要燒造於河北邢窯以及河南鞏
           in Zhongguo chutu ciqi quanji [Complete Collection of Ceramic Art   義窯,可以儲酒亦可儲水,主要流行於北方地區,或經絲綢之路從
           Unearthed in China], vol.15, Beijing, 2008, pl.69; see four more related   西域傳自中土。陝西出土一件唐代白釉雙龍柄瓶與本件極似,惟本
           examples in major museums: a Tang dynasty white-glazed amphora   件稍大,見《中國出土瓷器全集》,北京,2008年,卷15,編號
           in the Metropolitan Museum of Art, illustrated by S.G. Valenstein in   69;此件又與美國大都會博物館藏一件唐代白釉雙龍耳瓶相近,
           A Handbook of Chinese Ceramics, New York, 1989, p.70, pl.64; a   見S.G.Valenstein著,《A Handbook of Chinese Ceramics》,紐
           Tang dynasty white-glazed amphora in the Beijing Palace Museum   約,1989年,頁70,圖64。又可比較北京故宮藏一件唐代白釉雙龍
           with a neck decorated with raised fillets, illustrated in Zhongguo tao   耳瓶,惟頸部稍有出入,此件為弦紋長頸,見《中國陶瓷全集》,上
           ci quanji [Complete Series on Chinese Fine Art Categories: Chinese   海,2000年,卷6,編號147。日本根津美術館藏一件唐代白釉雙龍
           Ceramics Series], Shanghai, 2000, vol.6, pl.147; a Tang dynasty white-  耳瓶亦可比較之,見《世界陶瓷全集》,東京,1976年,卷11,編號
           glazed amphora in the Nezu Museum, illustrated by Masahiko Sato in   113。出光美術館藏一件更大之唐代白瓷雙龍耳瓶亦資參考,見蓑豐
           Ceramic Art of the World, Tokyo, 1976, vol.11, pl.113; and a bigger   編,《中国の陶磁·白磁》,東京,1998年,編號10。
           Tang dynasty white-glazed amphora in the Idemitsu Museum of Arts,
           illustrated by Yutaka Mino in Chūgoku no tōji [China’s ceramics]: Hakuji   本拍品經牛津熱釋光檢測編號P122j35,結果與其斷代相符。
           [White wares], Tokyo, 1998, pl.10.

           The result of Oxford Authentication Ltd. thermoluminescence test no.
           P122j35 is consistent with the dating of this lot.









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