Page 44 - Important Chiense Ceramics and Works of Art, Christie's.pdf
P. 44

2908 Continued

         This delicate set of cups is known as ‘month’ cups. Each cup is   ࢦՀᝲռⱤ▵⎷ᎰഩࢦՀ։卿᫢ἃ㫙ᇑǯӬ⎷Ӭᝲ卿ᬔ⎷ߎ⥾
         decorated with a different floral design representing the twelve   ӶऱᝲռⱤࢭ卿Ԇ㚁㜩⏟፽৿㉼սᥓᝧ༵ᙻ⎷㕇卿Ԇⶔࣇ⛌⡠
         months of the lunar calendar, complemented by a different   ᙻݯӳ卿ཆ㉼ǮᝧǮ⊺Ǯࣇ⢙भӬ㵲卿֎ⲋࢦՀ㧷ݺ㮰卿ᑪ㗬
         poem with relevance to the particular flower depicted, ending
         with the seal reading shang (appreciation). Such intricate   ᝃपᝲ卿ᬔᝲײ⊇Ӭ⎷卿ᥑݰ⅊㐃܎ٿ卿⩧Ꮀഩظໄ卿ߺᝤἃ
         combination of painting, poem and seal on a porcelain surface   Ӷᚿ卿ᘢ᳖໿⢴Ӳჺ卻     ჺ卼㪀ṺᏒⶬǶࡿ㪿ǷӬᝧ卿♑㍵ᝠ厍
         makes these cups highly coveted items among generations of   ǸᄮᾭࢦՀᝲⱤࢭ㜮⎷卿Ӭ⎷ӬⱤ卿ᝳ㬪ⱤǮᝳՆᆭ卿㐏஠≾⺧卿
         connoisseurs. These cups are also prized for their remarkable   㠸ݦ⯇㖔ǯģģⲋ᪞ᴈभࢦՀᝲԠⱤ卿㊦ᎸᎸԢݯ㫙ǯ㬪Ɽ܎
         workmanship, as each is so thinly potted that the cobalt blue   ٿ卿ӻՔӶ≾⏟᎝Ԯǯǹ⋁ᛞǸႡ⩧Ꮀཌ卿Ꮅᇑ୨៦Ǯݪ៦⩢卿
         decorations on the exterior can be seen through the eggshell
         thin porcelain from the interior of the vessel.   Ք㯄ἃ㫙ᇑǯ㘆ߺӬ៦ǮՀ៦ӻӶ⬒㖑㙘Ԡ⒕ǯǹ
         There has been considerable debate among scholars regarding   ໝ⊤Ӭ⏜ཌⱤ▵⎷ࣿࢦՀᝲռԠ㜩ཌໄᝳӶऱ㇦㈛卿׾ൈǸ᭢
         which cup relates to which month. For example, there are   մ⎷ǹ࣊ᝳྏ㗬ᝃࢦӬᎵࢦՀᝲԠ㊯厎ǸᢐⱤ⎷ǹՔᝳྏ᫈ᝲ
         various views on whether the narcissus depicts the eleventh   ᎵࢦՀᝲԠ㊯ǯទஎ㢙Ԡ㜩ཌ卿ᛓࣻᾅ⪐༾ᚸݎ⊂Ƕᚺ᳖≢଍
         or twelfth lunar month, and whether the prunus depicts the   㦶໸Ƿ卻࢈՗卿     ჺ卿㮰    卼Ӭᝧ厎㲞ᳰԋᙔഌໝᙔ⁒㱦
         first or twelfth lunar month. The current designation in this
         catalogue is based on the groupings by Geng Baochang in   Քஙݯ      ჺǶ᳖≢ⵧⅧǷཿ㈇ԋᅸ⊇᫉㜩ཌ卻எ‸    ⽚卼ǯ
         Ming Qing ciqi jianding, Beijing, 1993, p. 207. This designation   Ɽ▵⎷Ꮢ⊇৿㉼ἃⱤڔ᯷㈛卿⸌୬᳖ᄮᾭႽ੧৿㉼卿ᙻᄮᾭ
         was also adopted by the Art Gallery, the Chinese University
         of Hong Kong, in its 1995 exhibition catalogue Qing Imperial   ୨ࢦՀჺ       ჺ  卿⩠ጳ⤔⦕৿㉼⥙㫀卿ᇌᙻ୨ࢦ୨ჺ
         Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, Hong   ჺ   Ӳᝲ卿✄Ն᪖ࢶ႗⯍⼖႔ᛞ卿ཆԖᑥـᝧ⎏֌࡞Ւ⢪ᮅ༱
         Kong, 1995, no. 21.                               ⥫㙁ᝨ༖卿ԆཆݤᄙᏒ⻦໋ᑾ໺Ƕ৿㉼ǷӬ㛑⎉Ӵ卿הἃᡉߒ
                                                           ᄓទǯऱჺՆᝲ卿⊐ᝨ༖Ԗᑥ卿ஙᔆ႔㧷཭ـᝧ卿⯍᪖ჺࢦᝲ卿
         The poems inscribed on these month cups are all couplets
         from Tang dynasty poems. It is known that the Kangxi Emperor   ࣊⤔ᎰǶݥ৿㉼Ƿണӳ卿ᇑ㉼୨ⶃݨࢨԬ⎋㱛㲛卿޹ՀࢨՀ⎋
         was an enthusiast of Tang poems, and ordered the compilation   㱛㉼།卿ݬ㈷     ࣍卿⏖㢙    ࣍ǯᄮᾭႽㇼἃԠהᄑǯ᫉ᛞ卿
                                    th
         of all recorded Tang poems in the 44  year of his reign (1705).   Ԯቲᛓᜀᇪ㤯ᇙ⚨ᅐᄮᾭᛞឆ໶⚨῟㙁✄Ӳ㪖ᬀ卻    Ĝ
         This project came into fruition under the leadership of the   ჺ卼Ԡ⪻ਹ卻ࣻ㇦㪅ᚺⵖ厍Ǹ᳖ᄮᾭ໶⚨≢଍῟㙁ࣿ⏟㨸ਮ
         official Cao Yin, when Quan Tangshu [A Complete Collection
         of Tang Poems] was published in 1706, encompassing over   㯪ǹ卿㖊ᙻǶӳᱡࢷ⁒㱦⻦ᄮᾭ≢எ㢙Ƿ卿ӳᱡ卿     ჺ卿㮰
         40,000 poems, including a foreword written by the Kangxi   999*卼ǯங᫉⫫ᜀӴ卿սᄮᾭ⎑Ⴝ੧ዴ⎏৿㉼ᎰἃࢦՀⱤ▵⎷
         Emperor himself. Thus, it is likely that these delicate month   ⎏Ԗ㯪卿࣊ஙካ↚Ԡԋǯ⩧㫇᫈ងԠᏒᯒ㇑ՆᆭࢦՀⱤ▵⎷⎏
         cups, decorated with poems favoured by the Emperor, were   ῟㙁卻ࣻ㇦Ƕᘢ༈ࢷ⁒㩴⻦᳖ջᇙ⚨≢଍Ƿ࣍ӬӴݺ卿࢈՗卿
         made during the later period of the Kangxi reign when Quan        ჺ卿㮰   卿எ  卼卿սࣿ㫇᫈ǮԳ㪏ݦង⇈⇶ᆭ≢卿Քᓚ
         Tangshu was published, intended to please and delight the Son
         of Heaven.                                        ⊇ऒ㉼ڔἃᙔໃ㯪ឬ卿ՔἃⱤ▵⎷৿㉼⣌ݱ᧘ᅴԠᅠ⦛ǯ
         It is extremely rare to find a complete set of blue and white
         Kangxi ‘month’ cups. As early as the late Qing dynasty, the
         difficulty in compiling a full set of twelve cups was already
         noted by the contemporaneous connoisseur Chen Liu, who
         wrote in his book Taoya [Elegances of Ceramics] that “it used
         to be rather uncommon to be able to find a pair, or four, or six of
         these Kangxi month cups. Recently the chance is even slimmer
         to find just one or two of them”.
















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