Page 32 - September 20 2021 Fabian Collection of Chinese Paintings Art Bonhams NYC
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8
           ZHAO TONG (19TH CENTURY)
           Plum Blossoms, 1891
           Album of ten leaves, ink on paper, each leaf inscribed by the artist,
           the final leaf dated xinmao, with artist’s seals reading Baichi, Shi’er
           Fengqiao, Qiantang Zhao Tong, Tong, Zhao Tong, Zhao Tong, Xiaocun,
           Zhao Tong yin, Baichi shu hua.
           8 1/2 x 12 5/8in (21.5 x 32cm), each leaf

           $1,000 - 1,500
           趙瞳 墨梅 水墨紙本 册頁十開 一八九一年作

           Provenance/來源:
           Shanghai Duoyunxuan, 19 November 1995, lot 97
           上海朵雲軒,1995年11月19日,拍品編號97

           Published/出版:
           Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated
           Catalogue of Chinese Paintings, Third Series, Volume 1: American and
           Canadian Collections, University of Tokyo Press, 2013,
           A50-044, pp. 198-199
           戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大
           學出版會,東京,2013年,A50-044,頁198-199

           Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the
           Thunder and the Rain: Chinese Paintings from the Opium War Through
           the Cultural Revolution, 1840-1979, San Francisco: Echo Rock
           Ventures, in association with the Asian Art Museum Chong-Moon Lee
           Center for Asian Art and Culture, 2000, pp. 85-87
           Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際
           會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術
           博物館,李鐘文亞洲藝術文化中心,舊金山,加州,
           2000年,頁85-87

           Exhibited/展覽:
           Between the Thunder and the Rain, Asian Art Museum Chong-Moon
           Lee Center for Asian Art and Culture, San Francisco, California,
           October 25, 2000-January 14, 2001
           《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,
           亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日

           Wondrous Ink, Kalamazoo Institute of the Arts, Kalamazoo, Michigan,
           August 28-December 5, 2010
           《水墨神韻》,卡拉馬祖藝術學院,卡拉馬祖,密歇根州,2010年8
           月28日至12月5日


           Zhao Tong, a late Qing dynasty painter and calligrapher, used the
           courtesy name Chibo, and was a native of Qiantang (Hangzhou).
           His seal and clerical scripts are particularly excellent; his flower
           paintings show vigorousness and sincerity. This album of ink plum
           blossoms, each leaf accompanied by an inscription in clerical script,
           demonstrates the strong influence of Jin Nong (1687-1763) on Zhao
           Tong’s art.











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